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"But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object."
link : "But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object."

"But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object."

"This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is."

Said Harry Shearer, one of the few people who have actually seen the long-suppressed "The Day the Clown Cried." The movie, directed by Jerry Lewis, starred Jerry Lewis as a comedian who made fun of Hitler and got arrested and forced to entertain children in a Nazi death camp.

Lewis biographer Shawn Levy probably sums it up for many of us when he says the interest in Clown is the “the inconceivable oddness of it. Jerry Lewis is still such a strange and singular bird that I think the very concept is intriguing. And the people who’ve seen the film and spoken about it – Harry Shearer, say – are so vivid in their description that they’ve made it a holy grail. Plus, the fascination with grindhouse, Ed Wood, and movies so bad they’re good (a dubious category) virtually insures there’s a cult for something like this.”

Here's Jerry Lewis saying it will never be seen because it's bad and he's embarrassed by it and he's grateful he had the power to suppress it.



But he didn't destroy it, and in fact he donated it, along with other films, to the Smithsonian, and the instructions are simply that it not be shown until at least 2025. And Lewis once said:

“After I’m gone, who knows what’s going to happen? The only thing that I do feel, that I always get a giggle out of, some smart, young guy is going to come up with an idea, and he’s going to run the fucking thing. I would love that. Because he’s going to see a hell of a movie!”

He's gone now, so maybe we will see it. I've expressed my opinion before (in 2013):

Even if it was in the end, a terrible idea — but wasn't it basically the idea in "Life Is Beautiful"? — can't we see it now, with the understanding that it was a mistake and extract the good and learn from the lesson about what badness is?

It ended with a notoriously cringe-inducing scene of cavorting clown Lewis leading the laughing kids into the gas chamber. Overcome by the grief of what he is being forced to do, he chooses to stay in the gas chamber with them as they are killed.

Let us see it. Of all the Nazi-related things to be ashamed of... maybe this excessive shame about bad art is shameful. Or is it the other way around... and more bad art should be destroyed before anyone can see it?

"This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is."

Said Harry Shearer, one of the few people who have actually seen the long-suppressed "The Day the Clown Cried." The movie, directed by Jerry Lewis, starred Jerry Lewis as a comedian who made fun of Hitler and got arrested and forced to entertain children in a Nazi death camp.

Lewis biographer Shawn Levy probably sums it up for many of us when he says the interest in Clown is the “the inconceivable oddness of it. Jerry Lewis is still such a strange and singular bird that I think the very concept is intriguing. And the people who’ve seen the film and spoken about it – Harry Shearer, say – are so vivid in their description that they’ve made it a holy grail. Plus, the fascination with grindhouse, Ed Wood, and movies so bad they’re good (a dubious category) virtually insures there’s a cult for something like this.”

Here's Jerry Lewis saying it will never be seen because it's bad and he's embarrassed by it and he's grateful he had the power to suppress it.



But he didn't destroy it, and in fact he donated it, along with other films, to the

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Smithsonian, and the instructions are simply that it not be shown until at least 2025. And Lewis once said:

“After I’m gone, who knows what’s going to happen? The only thing that I do feel, that I always get a giggle out of, some smart, young guy is going to come up with an idea, and he’s going to run the fucking thing. I would love that. Because he’s going to see a hell of a movie!”

He's gone now, so maybe we will see it. I've expressed my opinion before (in 2013):

Even if it was in the end, a terrible idea — but wasn't it basically the idea in "Life Is Beautiful"? — can't we see it now, with the understanding that it was a mistake and extract the good and learn from the lesson about what badness is?

It ended with a notoriously cringe-inducing scene of cavorting clown Lewis leading the laughing kids into the gas chamber. Overcome by the grief of what he is being forced to do, he chooses to stay in the gas chamber with them as they are killed.

Let us see it. Of all the Nazi-related things to be ashamed of... maybe this excessive shame about bad art is shameful. Or is it the other way around... and more bad art should be destroyed before anyone can see it?

Thus articles "But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object."

that is all articles "But seeing this film was really awe-inspiring, in that you are rarely in the presence of the perfect object." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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