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Title : "The movie industry I’ve known for the past 30 years... is reconstituting itself in my mind this week like pieces of a broken mirror being glued back in place..."
link : "The movie industry I’ve known for the past 30 years... is reconstituting itself in my mind this week like pieces of a broken mirror being glued back in place..."
"The movie industry I’ve known for the past 30 years... is reconstituting itself in my mind this week like pieces of a broken mirror being glued back in place..."
"... the cracks now forever visible," writes Dana Stevens (at Slate), who's been writing about movies for something like a decade, yet claims she "truly didn't" know "any of the more sordid Weinstein rumors." (Did she know any of the less sordid rumors? She does "guiltily question" whether she should have picked up some clues and could have dug into them.)In this metaphorical reglued broken mirror in her mind, Stevens sees:
Gwyneth Paltrow holding her Oscar for Shakespeare in Love, standing beaming next to the man whose hotel suite she had to escape from a few years earlier after he invited her to the bedroom for a massage.... Or Mira Sorvino getting her Oscar for Mighty Aphrodite and then mysteriously—or perhaps not so mysteriously anymore—fading from the screen. Or Rosanna Arquette never going on to the career she deserved....But the linked column doesn't go where I would take it. When I saw the headline at Slate — "The Harvey Weinstein Scandal Is Changing How I Look at the Movies" — I thought it going to say what I've been saying: Because movies are shot through with human exploitation, we should withhold our patronage. These big expensive projects create immense power that is used to grind up young women, and we should not want to expose our mind to this material. If you need stories about human beings, read. A writer of books works alone (mostly) and uses words to create images of beautiful women and other human beings who do and say interesting, meaningful things. No actors needed.
But Stevens has no plan to redirect her consumption of stories. Well, her job is movie critic, so she can't just say no, can she?
"... the cracks now forever visible," writes Dana Stevens (at Slate), who's been writing about movies for something like a decade, yet claims she "truly didn't" know "any of the more sordid Weinstein rumors." (Did she know any of the less sordid rumors? She does "guiltily question" whether she should have picked up some clues and could have dug into them.)
In this metaphorical reglued broken mirror in her mind, Stevens sees:
In this metaphorical reglued broken mirror in her mind, Stevens sees:
Gwyneth Paltrow holding her Oscar for Shakespeare in Love, standing beaming next to the man whose hotel suite she had to escape from a few years earlier after he invited her to the bedroom for a massage.... Or Mira Sorvino getting her Oscar for Mighty Aphrodite and then mysteriously—or perhaps not so mysteriously anymore—fading from the screen. Or Rosanna Arquette never going on to the career she deserved....But the linked column doesn't go where I would take it. When I saw the headline at Slate — "The
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Harvey Weinstein Scandal Is Changing How I Look at the Movies" — I thought it going to say what I've been saying: Because movies are shot through with human exploitation, we should withhold our patronage. These big expensive projects create immense power that is used to grind up young women, and we should not want to expose our mind to this material. If you need stories about human beings, read. A writer of books works alone (mostly) and uses words to create images of beautiful women and other human beings who do and say interesting, meaningful things. No actors needed.
But Stevens has no plan to redirect her consumption of stories. Well, her job is movie critic, so she can't just say no, can she?
But Stevens has no plan to redirect her consumption of stories. Well, her job is movie critic, so she can't just say no, can she?
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