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"One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..."

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"One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..."
link : "One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..."

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"One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..."

"... while upholding one of the most rigidly patriarchal hierarchies of any art form. Straight male comedians, bookers and club owners have always been the gatekeepers of upward mobility in stand-up, an industry where 'women aren’t funny' was considered conventional wisdom until just a few years ago. The solution isn’t more solemn acknowledgments from powerful male comedians. We have those. The solution is putting people in positions of power who are not male, not straight, not cisgender, not white. This is not taking something away unfairly — it is restoring opportunities that have been historically withheld. And if we address the power imbalance in comedy, in this art that shapes how people think, what jokes they repeat to their families, who they believe deserves to hold a microphone and talk out loud, other imbalances might follow."

That's from a NYT op-ed by Lindy West, "Why Men Aren’t Funny," which makes me think: Why Nothing Will Ever Be Funny Anymore. West's solution is truly dispiriting, even if her analysis of the problem is pretty accurate. I think you have to break through the problem with better funniness, not funniness gatekeepers. The gate should be opened by laughter, but maybe no one will laugh anymore as the culture of That's Not Funny is enforced by putting people in positions of power who are not male, not straight, not cisgender, not white.

I mean, first of all, West has no ear or she wouldn't have gone with quadruple alliteration when she was trying to be dead serious: putting people in positions of power.

But more important: Who's doing the putting? I guess the comedy club owners are suddenly — to save their own skin? — supposed to embrace affirmative action and hand their power over to people who don't merely deplore the masculine "pathologies" that dominate American stand-up comedy, but deplore it because of the identity group they belong to.
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"... while upholding one of the most rigidly patriarchal hierarchies of any art form. Straight male comedians, bookers and club owners have always been the gatekeepers of upward mobility in stand-up, an industry where 'women aren’t funny' was considered conventional wisdom until just a few years ago. The solution isn’t more solemn acknowledgments from powerful male comedians. We have those. The solution is putting people in positions of power who are not male, not straight, not cisgender, not white. This is not taking something away unfairly — it is restoring opportunities that have been historically withheld. And if we address the power imbalance in comedy, in this art that shapes how people think, what jokes they repeat to their families, who they believe deserves to hold a microphone and talk out loud, other imbalances might follow."

That's from a NYT op-ed by Lindy West, "Why Men Aren’t Funny," which makes me think: Why Nothing Will Ever Be Funny Anymore. West's solution is truly dispiriting, even if her analysis of the problem is pretty accurate. I think you have to break through the problem with better funniness, not funniness gatekeepers. The gate should be opened by laughter, but maybe no one will laugh anymore as the culture of That's Not Funny is enforced by putting people in positions of power who are not male, not straight, not cisgender, not white.

I mean, first of all, West has no ear or she wouldn't have gone with quadruple alliteration when she was trying to be dead serious: putting people in positions of power.

But more important: Who's doing the putting? I guess the comedy club owners are suddenly — to save their own skin? — supposed to embrace affirmative action and hand their power over to people who don't merely deplore the masculine "pathologies" that dominate American stand-up comedy, but deplore it because of the identity group they belong to.


Thus articles "One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard..."

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