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How to be "much less self-assured than one might expect."

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How to be "much less self-assured than one might expect." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title How to be "much less self-assured than one might expect.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : How to be "much less self-assured than one might expect."
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How to be "much less self-assured than one might expect."

From Variety, "Barbra Streisand on How She Battled Hollywood’s Boys’ Club":
Spending the day with Streisand at her home overlooking the Pacific Ocean* reveals someone who lives up to her reputation as being much less self-assured than one might expect.** Her chronic stage fright prompts her on several occasions to kick everyone but the photographer out of the rooms where she is being shot. She stage-manages some of the setups and lighting cues, true to the perfectionist that she is. She even reshoots a series of short video interviews to her precise liking: “I know how this should look,” she declares.
Among the residents of that house are 3 Coton de Tulear dogs. 2 of them — Miss Violet and Miss Scarlett — are clones of a dog — Samantha — that died in 2017.
“They have different personalities,” Streisand says. “I’m waiting for them to get older so I can see if they have her brown eyes and her seriousness.”
There's also this about Hillary Clinton:
“I said to her the last time I saw her, ‘You were just too smart.’” In fact, she’s not convinced that Trump beat Clinton. “I really believe she won the election,” Streisand says. “I’ve talked to senators from Michigan and Wisconsin. I do believe, like I believed during Bush, they were playing with those voter machines. And [Al Gore] lost by 537 votes out of 104 million. And now, in retrospect, Bush looks quite good compared to Trump. At least he’s not mean-spirited. He’s not a guy who is retaliating for what Obama did at the White House Correspondents’ Dinner.”
She has a movie theater in that big house, but sometimes she actually goes out to the movies:
“My husband and I like to go to those theaters where you get food,” Streisand says. “They have one in the Valley where they have little spring rolls, great ice-cream sundaes and truffle french fries. You’re there thinking, ‘How many heads were on this thing?’ I feel like I should bring a towel.”
Oh! The common people! With their heads. Ugh! You need a towel to protect yourself from what oozes out of them. At first when I read that, I thought the towel was for the mess she and the husband made with all that ice cream and french fries, but no, it was revulsion at the contamination of the chair backs, even in a place in the Valley where the french fries are truffle french fries. You want us to go out to see your movies, but you're telling us public theaters are disgusting, because of the people. And your movies are about people... yet people disgust you. Why would I want to absorb what you have to say about people... especially if it requires me to sit in a chair that's been sat in by peeeepulll...***

What I love about this is how she means to be a committed lefty, but it's all always so cluelessly intertwined with self-regard and personal entitlement. I mean, look at this:
[Shooting "The Prince of Tides," she] wanted everyone to stay a little late, because [Nick] Nolte was in a head space where she thought he could nail a scene that called for his character to be tired. But the camera operator and the crew banded together and told her they wanted to go home. Nolte took their side (although he called her later that night to apologize). “So I had to walk off the set. It would have literally taken 10 minutes, but they were fucking with me.” The next morning, Nolte needed 17 takes to get it right, because he was too rested. “Today I wouldn’t ask the question,” Streisand says. “I would tell them. And if you don’t want to do it, don’t bother to come back to work tomorrow. I wouldn’t be afraid of that. But then, I was afraid of it.”
A committed lefty would care about labor issues and empathize with the mundane tiredness of the working man. But she was attentive to the tiredness of Nick Nolte, which he could use to play a scene where his character was tired instead of having to do the work of an actor and pretend to be tired. Oh! That was so hard. Took 17 takes. And her regret is that she wasn't self-assured enough to dictate to the crew, and that fucked-with Nolte took their side. Ah, but the weasley little man paid the price: 17 takes it took him to act tired when he was well-rested. Poor (rich) man.
________________________

* It's just by chance that after mentioning the Streisand effect in a post this morning, I've run into a Streisand article that hits my "bloggable" mark, and then there's that reference to the house she didn't want us looking at:


Copyright (C) 2002 Kenneth & Gabrielle Adelman, California Coastal Records Project, http://ift.tt/fPIgs3

** A paradox. If it's your reputation than it is what we expect. Or is it even less self-assured than that.

*** People... people...

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From Variety, "Barbra Streisand on How She Battled Hollywood’s Boys’ Club":
Spending the day with Streisand at her home overlooking the Pacific Ocean* reveals someone who lives up to her reputation as being much less self-assured than one might expect.** Her chronic stage fright prompts her on several occasions to kick everyone but the photographer out of the rooms where she is being shot. She stage-manages some of the setups and lighting cues, true to the perfectionist that she is. She even reshoots a series of short video interviews to her precise liking: “I know how this should look,” she declares.
Among the residents of that house are 3 Coton de Tulear dogs. 2 of them — Miss Violet and Miss Scarlett — are clones of a dog — Samantha — that died in 2017.
“They have different personalities,” Streisand says. “I’m waiting for them to get older so I can see if they have her brown eyes and her seriousness.”
There's also this about Hillary Clinton:
“I said to her the last time I saw her, ‘You were just too smart.’” In fact, she’s not convinced that Trump beat Clinton. “I really believe she won the election,” Streisand says. “I’ve talked to senators from Michigan and Wisconsin. I do believe, like I believed during Bush, they were playing with those voter machines. And [Al Gore] lost by 537 votes out of 104 million. And now, in retrospect, Bush looks quite good compared to Trump. At least he’s not mean-spirited. He’s not a guy who is retaliating for what Obama did at the White House Correspondents’ Dinner.”
She has a movie theater in that big house, but sometimes she actually goes out to the movies:
“My husband and I like to go to those theaters where you get food,” Streisand says. “They have one in the Valley where they have little spring rolls, great ice-cream sundaes and truffle french fries. You’re there thinking, ‘How many heads were on this thing?’ I feel like I should bring a towel.”
Oh! The common people! With their heads. Ugh! You need a towel to protect yourself from what oozes out of them. At first when I read that, I thought the towel was for the mess she and the husband made with all that ice cream and french fries, but no, it was revulsion at the contamination of the chair backs, even in a place in the Valley where the french fries are truffle french fries. You want us to go out to see your movies, but you're telling us public theaters are disgusting, because of the people. And your movies are about people... yet people disgust you. Why would I want to absorb what you have to say about people... especially if it requires me to sit in a chair that's been sat in by peeeepulll...***

What I love about this is how she means to be a committed lefty, but it's all always so cluelessly intertwined with self-regard and personal entitlement. I mean, look at this:
[Shooting "The Prince of Tides," she] wanted everyone to stay a little late, because [Nick] Nolte was in a head space where she thought he could nail a scene that called for his character to be tired. But the camera operator and the crew banded together and told her they wanted to go home. Nolte took their side (although he called her later that night to apologize). “So I had to walk off the set. It would have literally taken 10 minutes, but they were fucking with me.” The next morning, Nolte needed 17 takes to get it right, because he was too rested. “Today I wouldn’t ask the question,” Streisand says. “I would tell them. And if you don’t want to do it, don’t bother to come back to work tomorrow. I wouldn’t be afraid of that. But then, I was afraid of it.”
A committed lefty would care about labor issues and empathize with the mundane tiredness of the working man. But she was attentive to the tiredness of Nick Nolte, which he could use to play a scene where his character was tired instead of having to do the work of an actor and pretend to be tired. Oh! That was so hard. Took 17 takes. And her regret is that she wasn't self-assured enough to dictate to the crew, and that fucked-with Nolte took their side. Ah, but the weasley little man paid the price: 17 takes it took him to act tired when he was well-rested. Poor (rich) man.
________________________

* It's just by chance that after mentioning the Streisand effect in a post this morning, I've run into a Streisand article that hits my "bloggable" mark, and then there's that reference to the house she didn't want us looking at:


Copyright (C) 2002 Kenneth & Gabrielle Adelman, California Coastal Records Project, http://ift.tt/fPIgs3

** A paradox. If it's your reputation than it is what we expect. Or is it even less self-assured than that.

*** People... people...



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