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"The backlash that forced ABC to cancel Ms. Barr’s television series reflects a distaste for passé, plainly stated racism..."

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"The backlash that forced ABC to cancel Ms. Barr’s television series reflects a distaste for passé, plainly stated racism..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "The backlash that forced ABC to cancel Ms. Barr’s television series reflects a distaste for passé, plainly stated racism...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "The backlash that forced ABC to cancel Ms. Barr’s television series reflects a distaste for passé, plainly stated racism..."
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"The backlash that forced ABC to cancel Ms. Barr’s television series reflects a distaste for passé, plainly stated racism..."

"... in a society that likes to see itself as having put bigotry behind it. Nevertheless, centuries of institutional racism — and the dehumanization of black people upon which it relied — have left an indelible imprint on how Americans process blackness. The notion that the country might somehow move past this deeply complex, historically layered issue by assuming an attitude of 'color blindness' is naïve. The only real hope of doing that is to openly confront and talk about the powerful, but submerged, forms of discrimination that have long since supplanted the undisguised version."

The last lines "The Racist Trope That Won’t Die" by Brent Staples (NYT). The trope under discussion is the likening of black people to apes. The column went up yesterday, the day we were watching the new video "Apeshit," in which Jay-Z calls himself a gorilla. The line is "I'm a gorilla." Unfortunately, Staples didn't incorporate that complexity, and he's left saying things like "The toxically racist ape characterization has been pushed to the margins of the public square." Jay-Z isn't on the margins!

The other problem with Staples is that he ends up with the age-old prescription, the conversation about race. He calls that the "only real hope." Why is it the only real hope? Is there no hope at all in creating a powerful social etiquette of never saying anything that is regarded as racist and waiting until the population is replaced by people who don't think racist things (or who only think them in vague, innocuous ways)? Is there no hope in the forthright, vigorous reclaiming of race in the Jay-Z manner?  Who gets to say where the "only real hope" lies? Maybe the idea that what we really need is a conversation about race is itself a racial trope that won't die.

But, look, here I am, doing conversation about race. Probably not the right kind, and I expect that if Staples were to notice this, he'd tell me I'm doing it wrong.

And that's one problem with the conversation prescription. It's not a freewheeling, endlessly flowing, back-and-forth kind of conversation. It's a conversation that needs to go the right way, and that can get you into bad trouble if you do it wrong, and that often seems to be a demand that somebody sit still and take a harsh lecture.

So it may be might be naïve to think that "assuming an attitude of 'color blindness'" could easily work, but it's also naïve to think that "this deeply complex, historically layered issue" can be processed through that precious human interaction we call conversation.
"... in a society that likes to see itself as having put bigotry behind it. Nevertheless, centuries of institutional racism — and the dehumanization of black people upon which it relied — have left an indelible imprint on how Americans process blackness. The notion that the country might somehow move past this deeply complex, historically layered issue by assuming an attitude of 'color blindness' is naïve. The only real hope of doing that is to openly confront and talk about the powerful, but submerged, forms of discrimination that have long since supplanted the undisguised version."

The last lines "The Racist Trope That Won’t Die" by Brent Staples (NYT). The trope under discussion is the likening of black people to apes. The column went up yesterday, the day we were watching the new video "Apeshit," in which Jay-Z calls himself a gorilla. The line is "I'm a gorilla." Unfortunately, Staples didn't incorporate that complexity, and he's left saying things like "The toxically racist ape characterization has been pushed to the margins of the public square." Jay-Z isn't on the margins!

The other problem with Staples is that he ends up with the age-old prescription, the conversation about race. He calls that the "only real hope." Why is it the only real hope? Is there no hope at all in creating a powerful
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social etiquette of never saying anything that is regarded as racist and waiting until the population is replaced by people who don't think racist things (or who only think them in vague, innocuous ways)? Is there no hope in the forthright, vigorous reclaiming of race in the Jay-Z manner?  Who gets to say where the "only real hope" lies? Maybe the idea that what we really need is a conversation about race is itself a racial trope that won't die.

But, look, here I am, doing conversation about race. Probably not the right kind, and I expect that if Staples were to notice this, he'd tell me I'm doing it wrong.

And that's one problem with the conversation prescription. It's not a freewheeling, endlessly flowing, back-and-forth kind of conversation. It's a conversation that needs to go the right way, and that can get you into bad trouble if you do it wrong, and that often seems to be a demand that somebody sit still and take a harsh lecture.

So it may be might be naïve to think that "assuming an attitude of 'color blindness'" could easily work, but it's also naïve to think that "this deeply complex, historically layered issue" can be processed through that precious human interaction we call conversation.


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