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Title : They idea and the visual images of making soap from liposuctioned human fat is already there in the book and movie "Fight Club," so...
link : They idea and the visual images of making soap from liposuctioned human fat is already there in the book and movie "Fight Club," so...
They idea and the visual images of making soap from liposuctioned human fat is already there in the book and movie "Fight Club," so...
... is it anything at all for an artist to actually do it — make the soap and even sell what is actually usable soap?Vice tells us that the artist, Julian Hetzel, is Dutch and got his human fat from plastic surgeons in the Netherlands and that the final soap product only has 10% human fat. The artist clumsily instructs us about the intended meaning of his product (which is called Schuldfabrik):
"We decided to work with fat as a material that represents guilt or that contains guilt and to understand, can this be used as a resource?... Can we use guilt as something productive? Can we profit from our own guilt? How to make money with guilt."Is it guilt or shame that drives people to liposuction? I would have said shame. Maybe it's a bad translation from the Dutch. According to Wikipedia:
Guilt is a cognitive or an emotional experience that occurs when a person believes or realizes—accurately or not—that they have compromised their own standards of conduct or have violated a universal moral standard and bear significant responsibility for that violation.Wikipedia illustrates the concept with this image:
That's "Soul in Bondage" by Elihu Vedder, a painting from the 1890s. Is that more helpful in understanding guilt than Hetzel's soap made from liposuctioned fat? Vedder's soul doesn't seem to have any ideas about how to use guilt as something productive or even to have any ideas at all about making money.
If you choose to respond to the artist's prompt and analyze the meaning of his making soap from human fat, please take into account the historical antecedents. Here's the Wikipedia article, "Soap made from human corpses." Excerpts:
In 1780, the former Holy Innocents' Cemetery in Paris was closed because of overuse. In 1786, the bodies were exhumed and the bones were moved to the Catacombs. Many bodies had incompletely decomposed and had reduced into deposits of fat. During the exhumation, this fat was collected and subsequently turned into candles and soap.
The claim that Germans used the fat from human corpses to make products, including soap, was made during World War I. This appears to have originated as rumor among British soldiers and Belgians.... The belief that the British had deliberately invented the story was later used by the Nazis.
Rumours that the Nazis produced soap from the bodies of concentration camp inmates circulated widely during the war. Germany suffered a shortage of fats during World War II, and the production of soap was put under government control....
Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.... In Hitler's Death Camps: The Sanity of Madness Konnilyn Feig concludes that the Nazis "did indeed use human fat for the making of soap at Stutthof", albeit in limited quantity....
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... is it anything at all for an artist to actually do it — make the soap and even sell what is actually usable soap?
Vice tells us that the artist, Julian Hetzel, is Dutch and got his human fat from plastic surgeons in the Netherlands and that the final soap product only has 10% human fat. The artist clumsily instructs us about the intended meaning of his product (which is called Schuldfabrik):
That's "Soul in Bondage" by Elihu Vedder, a painting from the 1890s. Is that more helpful in understanding guilt than Hetzel's soap made from liposuctioned fat? Vedder's soul doesn't seem to have any ideas about how to use guilt as something productive or even to have any ideas at all about making money.
If you choose to respond to the artist's prompt and analyze the meaning of his making soap from human fat, please take into account the historical antecedents. Here's the Wikipedia article, "Soap made from human corpses." Excerpts:
Vice tells us that the artist, Julian Hetzel, is Dutch and got his human fat from plastic surgeons in the Netherlands and that the final soap product only has 10% human fat. The artist clumsily instructs us about the intended meaning of his product (which is called Schuldfabrik):
"We decided to work with fat as a material that represents guilt or that contains guilt and to understand, can this be used as a resource?... Can we use guilt as something productive? Can we profit from our own guilt? How to make money with guilt."Is it guilt or shame that drives people to liposuction? I would have said shame. Maybe it's a bad translation from the Dutch. According to Wikipedia:
Guilt is a cognitive or an emotional experience that occurs when a person believes or realizes—accurately or not—that they have compromised their own standards of conduct or have violated a universal moral standard and bear significant responsibility for that violation.Wikipedia illustrates the concept with this image:
That's "Soul in Bondage" by Elihu Vedder, a painting from the 1890s. Is that more helpful in understanding guilt than Hetzel's soap made from liposuctioned fat? Vedder's soul doesn't seem to have any ideas about how to use guilt as something productive or even to have any ideas at all about making money.
If you choose to respond to the artist's prompt and analyze the meaning of his making soap from human fat, please take into account the historical antecedents. Here's the Wikipedia article, "Soap made from human corpses." Excerpts:
In 1780, the former Holy Innocents' Cemetery in Paris was closed because of overuse. In 1786, the bodies were exhumed and the bones were moved to the Catacombs. Many bodies had incompletely decomposed and had reduced into deposits of fat. During the exhumation, this fat was collected and subsequently turned into candles and soap.
The claim that Germans used the fat from human corpses to make products, including soap, was made during World War I. This appears to have originated as rumor among British soldiers and Belgians.... The belief that the British had deliberately invented the story was later used by the Nazis.
Rumours that the Nazis produced soap from the bodies of concentration camp inmates circulated widely during the war. Germany suffered a shortage of fats during World War II, and the production of soap was put under government control....
Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.... In Hitler's Death Camps: The Sanity of Madness Konnilyn Feig concludes that the Nazis "did indeed use human fat for the making of soap at Stutthof", albeit in limited quantity....
Thus articles They idea and the visual images of making soap from liposuctioned human fat is already there in the book and movie "Fight Club," so...
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