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Title : "Viewers cannot determine the intention of an artist’s work. Art also exposes society’s blind spots. Blackface is only a glimpse of a larger issue."
link : "Viewers cannot determine the intention of an artist’s work. Art also exposes society’s blind spots. Blackface is only a glimpse of a larger issue."
"Viewers cannot determine the intention of an artist’s work. Art also exposes society’s blind spots. Blackface is only a glimpse of a larger issue."
"The larger issue is the lack of representation of marginalized people and their voices in Phoenix.... At the downtown Phoenix restaurant, my concern that the photograph of men in blackface was a threat to me and my face and voice were ignored. A business’ photograph of men with blackened faces culturally says to me, 'Whites Only.' It says people like me are not welcome. The operators of that downtown restaurant can choose to take the photograph down, leave it up or create a title card with an intention statement. No matter their decision, I think the photograph should be taken down — sacrificing one image for the greater good."Writes Rashaad Thomas — "a husband, father, a veteran of the U.S. Air Force, poet and essayist" — in "Phoenix restaurant says this is a photo of coal miners. But I see offensive blackface."
Here's the photo that troubled Thomas so much that he doubled down even after he learned he was mistaken in not understanding that these are human beings whose faces were darkened not by their own deliberate imitation of black people but by terribly hard physical labor:
Thomas is saying the picture made him feel so bad that he wants the restaurant to proactively spare him from his own misperception. He's not taking this opportunity to reflect on his own good fortune — he is able to be a poet and an essayist — in comparison to the grinding work of coal miners. And I can see that he's getting mocked for calling attention to what is, after all, his mistake.
But if it were my restaurant, I wouldn't put up a photograph that was subject to this misperception. I like to think that if I were considering decorating my restaurant wall with this photograph, I would at least notice that some people might think this is white men in blackface and pick something else. Certainly, if I'd put it up and a customer confronted me with this misperception I would feel compassionate and very eager to let him know not just what the picture really was but also that I never meant for anyone to imagine that it was blackface. And, really, I would hold myself to a higher standard. Quite aside from blackface, I would ask myself whether my comfortable establishment should trade on the aura of poor coalminers. It's "poverty porn."
From the Wikipedia article, "Poverty porn":
Poverty porn... has been defined as "any type of media, be it written, photographed or filmed, which exploits the poor's condition in order to generate the necessary sympathy for selling newspapers or increasing charitable donations or support for a given cause." It is also a term of criticism applied to films which objectify people in poverty for the sake of entertaining a privileged audience.... Poverty porn is used in media through visually miserable images, in order to trigger some sort of emotion amongst its audience....Now, of course, I see that the men are smiling and enjoying the alcohol and camaraderie. That's what makes it seem like a good idea for a restaurant photographs. It says, no matter how hard your day, and especially if you've had a very hard day, it's great to spend some time hanging out over drinks.
But messages can be misheard. You could be standing on the street one day, smiling, and find out half the world read your face as an asshole racist smirk.
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"The larger issue is the lack of representation of marginalized people and their voices in Phoenix.... At the downtown Phoenix restaurant, my concern that the photograph of men in blackface was a threat to me and my face and voice were ignored. A business’ photograph of men with blackened faces culturally says to me, 'Whites Only.' It says people like me are not welcome. The operators of that downtown restaurant can choose to take the photograph down, leave it up or create a title card with an intention statement. No matter their decision, I think the photograph should be taken down — sacrificing one image for the greater good."
Writes Rashaad Thomas — "a husband, father, a veteran of the U.S. Air Force, poet and essayist" — in "Phoenix restaurant says this is a photo of coal miners. But I see offensive blackface."
Here's the photo that troubled Thomas so much that he doubled down even after he learned he was mistaken in not understanding that these are human beings whose faces were darkened not by their own deliberate imitation of black people but by terribly hard physical labor:
Thomas is saying the picture made him feel so bad that he wants the restaurant to proactively spare him from his own misperception. He's not taking this opportunity to reflect on his own good fortune — he is able to be a poet and an essayist — in comparison to the grinding work of coal miners. And I can see that he's getting mocked for calling attention to what is, after all, his mistake.
But if it were my restaurant, I wouldn't put up a photograph that was subject to this misperception. I like to think that if I were considering decorating my restaurant wall with this photograph, I would at least notice that some people might think this is white men in blackface and pick something else. Certainly, if I'd put it up and a customer confronted me with this misperception I would feel compassionate and very eager to let him know not just what the picture really was but also that I never meant for anyone to imagine that it was blackface. And, really, I would hold myself to a higher standard. Quite aside from blackface, I would ask myself whether my comfortable establishment should trade on the aura of poor coalminers. It's "poverty porn."
From the Wikipedia article, "Poverty porn":
But messages can be misheard. You could be standing on the street one day, smiling, and find out half the world read your face as an asshole racist smirk.
Writes Rashaad Thomas — "a husband, father, a veteran of the U.S. Air Force, poet and essayist" — in "Phoenix restaurant says this is a photo of coal miners. But I see offensive blackface."
Here's the photo that troubled Thomas so much that he doubled down even after he learned he was mistaken in not understanding that these are human beings whose faces were darkened not by their own deliberate imitation of black people but by terribly hard physical labor:
Thomas is saying the picture made him feel so bad that he wants the restaurant to proactively spare him from his own misperception. He's not taking this opportunity to reflect on his own good fortune — he is able to be a poet and an essayist — in comparison to the grinding work of coal miners. And I can see that he's getting mocked for calling attention to what is, after all, his mistake.
But if it were my restaurant, I wouldn't put up a photograph that was subject to this misperception. I like to think that if I were considering decorating my restaurant wall with this photograph, I would at least notice that some people might think this is white men in blackface and pick something else. Certainly, if I'd put it up and a customer confronted me with this misperception I would feel compassionate and very eager to let him know not just what the picture really was but also that I never meant for anyone to imagine that it was blackface. And, really, I would hold myself to a higher standard. Quite aside from blackface, I would ask myself whether my comfortable establishment should trade on the aura of poor coalminers. It's "poverty porn."
From the Wikipedia article, "Poverty porn":
Poverty porn... has been defined as "any type of media, be it written, photographed or filmed, which exploits the poor's condition in order to generate the necessary sympathy for selling newspapers or increasing charitable donations or support for a given cause." It is also a term of criticism applied to films which objectify people in poverty for the sake of entertaining a privileged audience.... Poverty porn is used in media through visually miserable images, in order to trigger some sort of emotion amongst its audience....Now, of course, I see that the men are smiling and enjoying the alcohol and camaraderie. That's what makes it seem like a good idea for a restaurant photographs. It says, no matter how hard your day, and especially if you've had a very hard day, it's great to spend some time hanging out over drinks.
But messages can be misheard. You could be standing on the street one day, smiling, and find out half the world read your face as an asshole racist smirk.
Thus articles "Viewers cannot determine the intention of an artist’s work. Art also exposes society’s blind spots. Blackface is only a glimpse of a larger issue."
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