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50 years ago today: The TV show "Turn-On!" premiered and was taken off the air in the middle of episode 1.

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Title : 50 years ago today: The TV show "Turn-On!" premiered and was taken off the air in the middle of episode 1.
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50 years ago today: The TV show "Turn-On!" premiered and was taken off the air in the middle of episode 1.

According to Wikipedia:
The show was created by Ed Friendly and George Schlatter, the producers of Rowan & Martin's Laugh-In. Bristol-Myers contracted with them to develop the show, and provided it to ABC for a projected 13-week run after NBC and CBS rejected it. A CBS official confessed, "It was so fast with the cuts and chops that some of our people actually got physically disturbed by it." Production executive Digby Wolfe described it as a "visual, comedic, sensory assault involving animation, videotape, stop-action film, electronic distortion, computer graphics—even people."

Turn-On's premise was that it was produced by a computer. Distinguishing characteristics of the show were its use of the Moog synthesizer and lack of sets, except for a white backdrop. Unlike Laugh-In the show "focused almost exclusively on sex as a comedic subject," using various rapid-fire jokes and risqué skits, but no laugh track. The program was also filmed instead of presented live or on videotape. Several of the jokes were presented with the screen divided into four squares resembling comic strip panels. The production credits of the episode appeared after each commercial break, instead of conventionally at the beginning or end....

An ABC executive... compared the show negatively to the comedy of Dean Martin, Laugh-In, and the Smothers Brothers, which the executive described as "absolutely beyond belief ... awfully blue", but were popular and less controversial because unlike Turn-On, "they're funny."... [TV Guide] quoted a source... "(T)here wasn't any sort of identification with the audience -- just a bunch of strangers up there insulting everything you believe in."

"It wasn't that it was a bad show, it was that it was an awkward show," concluded author Harlan Ellison, a fan of counter-cultural comedy and a TV critic for the Los Angeles Free Press in 1969....

Many assumed the show's title was itself an implicit reference to Timothy Leary's pro-drug maxim, "Turn on, tune in, drop out."




According to Wikipedia:
The show was created by Ed Friendly and George Schlatter, the producers of Rowan & Martin's Laugh-In. Bristol-Myers contracted with them to develop the show, and provided it to ABC for a projected 13-week run after NBC and CBS rejected it. A CBS official confessed, "It was so fast with the cuts and chops that some of our people actually got physically disturbed by it." Production executive Digby Wolfe described it as a "visual, comedic, sensory assault involving animation, videotape, stop-action film, electronic distortion, computer graphics—even people."

Turn-On's premise was that it was produced by a computer. Distinguishing characteristics of the show were its use of the Moog synthesizer and lack of sets, except for a white backdrop. Unlike Laugh-In the show "focused almost exclusively on sex as a comedic subject," using various rapid-fire jokes and risqué skits, but no laugh track. The program was also filmed instead of presented live or on videotape. Several of the jokes were presented with the screen divided into four squares resembling comic strip panels. The production credits of the episode appeared after each commercial break, instead of conventionally at the beginning or end....

An ABC executive... compared the show negatively to the comedy of Dean
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Martin, Laugh-In, and the Smothers Brothers, which the executive described as "absolutely beyond belief ... awfully blue", but were popular and less controversial because unlike Turn-On, "they're funny."... [TV Guide] quoted a source... "(T)here wasn't any sort of identification with the audience -- just a bunch of strangers up there insulting everything you believe in."

"It wasn't that it was a bad show, it was that it was an awkward show," concluded author Harlan Ellison, a fan of counter-cultural comedy and a TV critic for the Los Angeles Free Press in 1969....

Many assumed the show's title was itself an implicit reference to Timothy Leary's pro-drug maxim, "Turn on, tune in, drop out."





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