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"That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture."
link : "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture."

"That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture."

"Not that he put it that way exactly. What he said was: 'Chanel is an institution, and you have to treat an institution like a whore — and then you get something out of her.' This approach has become almost quotidian in the industry, but before Mr. Lagerfeld was hired at Chanel, when the brand was fading into staid irrelevance kept aloft on a raft of perfume and cosmetics, it was a new and startling idea. That he dared act on it, and then kept doing so with varying degrees of success for decades, transformed not only the fortunes of Chanel (now said to have revenues of over $4 billion a year) but also his own profile.... But he rejected the idea of fashion-as-art, and the designer-as-tortured genius. His goal was more opportunistic...  His personal proclivities were a constantly mutating collection of decades, people and disciplines. His one great fear was of being bored. His conversations (or monologues) could, in almost one breath, bounce from Anita Ekberg romping in the Trevi fountain, to how rich women in the 1920s slept under ermine sheets, and then to the Danish fairy tale illustrator Kay Nielsen. His one blind spot was his own mortality, which he refused to acknowledge. As he said... 'I don’t want to be real in other people’s lives. I want to be an apparition.'"

The NYT was ready to go big on the death of Karl Lagerfeld, which has finally arrived. The long obit is by Vanessa Friedman.

"Not that he put it that way exactly. What he said was: 'Chanel is an institution, and you have to treat an institution like a whore — and then you get something out of her.' This approach has become almost quotidian in the industry, but before Mr. Lagerfeld was hired at Chanel, when the brand was fading into staid irrelevance kept aloft on a raft of perfume and cosmetics, it was a new and startling idea. That he dared act on it, and then kept doing so with varying degrees of success for decades, transformed not only the fortunes of Chanel (now said to have revenues of over $4 billion a year) but also his own profile.... But he rejected the idea of fashion-as-art, and the designer-as-tortured genius. His goal was more opportunistic...  His personal proclivities were a constantly mutating collection of decades, people and disciplines. His one great fear was of being bored. His conversations (or monologues) could, in almost one breath, bounce from Anita Ekberg romping in the Trevi fountain, to how rich women in the 1920s slept under ermine sheets, and then to the Danish fairy tale illustrator Kay Nielsen. His one blind spot was his own mortality,

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which he refused to acknowledge. As he said... 'I don’t want to be real in other people’s lives. I want to be an apparition.'"

The NYT was ready to go big on the death of Karl Lagerfeld, which has finally arrived. The long obit is by Vanessa Friedman.

Thus articles "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture."

that is all articles "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

You now read the article "That is to say, the creative force who lands at the top of a heritage brand and reinvents it by identifying its sartorial semiology and then wresting it into the present with a healthy dose of disrespect and a dollop of pop culture." with the link address https://welcometoamerican.blogspot.com/2019/02/that-is-to-say-creative-force-who-lands.html

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