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Title : "The music keeps you healthy?"/"Yes, very much. Music and cats. They have helped me a lot."
link : "The music keeps you healthy?"/"Yes, very much. Music and cats. They have helped me a lot."
"The music keeps you healthy?"/"Yes, very much. Music and cats. They have helped me a lot."
"How many cats do you have?"/"None at all. I go jogging around my house every morning and I regularly see three or four cats—they are friends of mine. I stop and say hello to them and they come to me; we know each other very well."Ha ha. From a New Yorker interview with the great writer Haruki Murakami, published a couple week ago, noticed today as I'm putting my Murakami tags in order.
I like that cats quote, but there's a lot of interesting stuff about writing in that interview:
Readers often tell me that there’s an unreal world in my work—that the protagonist goes to that world and then comes back to the real world. But I can’t always see the borderline between the unreal world and the realistic world....
When I’m writing a novel, I wake up around four in the morning and go to my desk and start working. That happens in a realistic world. I drink real coffee. But, once I start writing, I go somewhere else. I open the door, enter that place, and see what’s happening there. I don’t know—or I don’t care—if it’s a realistic world or an unrealistic one. I go deeper and deeper, as I concentrate on writing, into a kind of underground. While I’m there, I encounter strange things. But while I’m seeing them, to my eyes, they look natural. And if there is a darkness in there, that darkness comes to me, and maybe it has some message, you know? I’m trying to grasp the message. So I look around that world and I describe what I see, and then I come back. Coming back is important. If you cannot come back, it’s scary. But I’m a professional, so I can come back....
When I’m not writing, I’m a very ordinary person. I respect the daily routine. I get up early in the morning. I go to bed around nine o’clock, unless the baseball game is still going. And I run or I swim. I’m an ordinary guy. So when I walk down the street and somebody says, “Excuse me, Mr. Murakami, very nice to meet you,” I feel strange, you know. I’m nothing special. Why is he happy to meet me? But I think that when I’m writing I am kind of special—or strange, at least.
"How many cats do you have?"/"None at all. I go jogging around my house every morning and I regularly see three or four cats—they are friends of mine. I stop and say hello to them and they come to me; we know each other very well."
Ha ha. From a New Yorker interview with the great writer Haruki Murakami, published a couple week ago, noticed today as I'm putting my Murakami tags in order.
I like that cats quote, but there's a lot of interesting stuff about writing in that interview:
Ha ha. From a New Yorker interview with the great writer Haruki Murakami, published a couple week ago, noticed today as I'm putting my Murakami tags in order.
I like that cats quote, but there's a lot of interesting stuff about writing in that interview:
Readers often tell me that there’s an unreal world in my work—that the protagonist goes to that world and then comes back to the real world. But I can’t always see the borderline between the unreal world and the realistic world....
When I’m writing a novel, I wake up around four in the morning and go to my desk and start working. That happens in a realistic world. I drink real coffee. But, once I start writing, I go somewhere else. I open the door, enter that place, and see what’s happening there. I
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don’t know—or I don’t care—if it’s a realistic world or an unrealistic one. I go deeper and deeper, as I concentrate on writing, into a kind of underground. While I’m there, I encounter strange things. But while I’m seeing them, to my eyes, they look natural. And if there is a darkness in there, that darkness comes to me, and maybe it has some message, you know? I’m trying to grasp the message. So I look around that world and I describe what I see, and then I come back. Coming back is important. If you cannot come back, it’s scary. But I’m a professional, so I can come back....
When I’m not writing, I’m a very ordinary person. I respect the daily routine. I get up early in the morning. I go to bed around nine o’clock, unless the baseball game is still going. And I run or I swim. I’m an ordinary guy. So when I walk down the street and somebody says, “Excuse me, Mr. Murakami, very nice to meet you,” I feel strange, you know. I’m nothing special. Why is he happy to meet me? But I think that when I’m writing I am kind of special—or strange, at least.
When I’m not writing, I’m a very ordinary person. I respect the daily routine. I get up early in the morning. I go to bed around nine o’clock, unless the baseball game is still going. And I run or I swim. I’m an ordinary guy. So when I walk down the street and somebody says, “Excuse me, Mr. Murakami, very nice to meet you,” I feel strange, you know. I’m nothing special. Why is he happy to meet me? But I think that when I’m writing I am kind of special—or strange, at least.
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