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I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see... - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see..., we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see...
link : I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see...

I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see...

"Aaron Sorkin on how he would write the Democratic primary for ‘The West Wing.’"

What does it mean that we — or at least me and the New York Times — have drifted into fantasies about what TV show this feels like? Funnily, Donald Trump is the TV guy, but with the Democrats, we've got this small cast of characters, and we're making up stories for them. I see 5 characters marooned on an island, and I'm wondering what hijinks will follow?

From the NYT article:

Your characters often struggle to try to understand people and ideas with which they disagree. What have you learned about how best to dramatize that struggle? I wouldn’t want to give the impression that I’ve mastered anything, but there are a couple of things I know now that maybe I didn’t know when I was starting. To begin with, I worship at the altar of intention and obstacle. Somebody wants something, and something is standing in their way of getting it. They want the money; they want the girl; they want to get to Philadelphia. Then the obstacle to that has to be formidable, and the tactics they use to overcome that obstacle are what shows us the character. Now, to answer your question: One of the things that I’ve learned, because I’ve written some antiheroes as well — Mark Zuckerberg in “The Social Network,” even Jack Nicholson’s character in “A Few Good Men” — is that you have to write these characters as if they’re making their case to God for why they should be allowed into heaven. When you’re successful, you get people in the audience saying, “Huh, he’s got a point” to stuff that makes them very uncomfortable.

Great intro! Great advice on how to dramatize the actual events.

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"Aaron Sorkin on how he would write the Democratic primary for ‘The West Wing.’"

What does it mean that we — or at least me and the New York Times — have drifted into fantasies about what TV show this feels like? Funnily, Donald Trump is the TV guy, but with the Democrats, we've got this small cast of characters, and we're making up stories for them. I see 5 characters marooned on an island, and I'm wondering what hijinks will follow?

From the NYT article:

Your characters often struggle to try to understand people and ideas with which they disagree. What have you learned about how best to dramatize that struggle? I wouldn’t want to give the impression that I’ve mastered anything, but there are a couple of things I know now that maybe I didn’t know when I was starting. To begin with, I worship at the altar of intention and obstacle. Somebody wants something, and something is standing in their way of getting it. They want the money; they want the girl; they want to get to Philadelphia. Then the obstacle to that has to be formidable, and the tactics they use to overcome that obstacle are what shows us the character. Now, to answer your question: One of the things that I’ve learned, because I’ve written some antiheroes as well — Mark Zuckerberg in “The Social Network,” even Jack Nicholson’s character in “A Few Good Men” — is that you have to write these characters as if they’re making their case to God for why they should be allowed into heaven. When you’re successful, you get people in the audience saying, “Huh, he’s got a point” to stuff that makes them very uncomfortable.

Great intro! Great advice on how to dramatize the actual events.

Thus articles I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see...

that is all articles I was just thinking the Democratic primary had become "Gilligan's Island" — with the billionaire and Biden as Gilligan, etc., and now, I open up the NYT and see... This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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