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"It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again."

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"It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again."
link : "It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again."

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"It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again."

"Dressed not for the anonymity of the hospital or the essential work force, the heat and heartbreak of the protest, the anomie of the supermarket or the park, but for the next stage catharsis. Capital D Dressed. It is both history and human nature."

Writes Vanessa Friedman in the NYT.

That offended me a little. I understand she's feeling the pressure to get back to big fashion — very expensive clothes and gala dress-up events — but that doesn't mean that these other things we do while wearing clothing are hollow and empty and deserving of words like "anonymity" and "anomie."

If fashion matters, it should matter when we're doing the things that are the most substantial aspects of our life — going to work, engaging in political expression, doing our walking-around errands, and recreating in public spaces. What do we wear when we're out in the street? And even if we're keeping it simple, how do we feel? There's no reason to think that if we're wearing jeans and a t-shirt or leggings and a sweater we're in a state of anomie.

Friedman is concerned about the business of fashion — and it seems that consumer psychology is more of a means to an end. What will bring shoppers back to the physical stores?
It’s going to be the irrational, emotional pull of a … something. The gut punch of recognition that comes from seeing a new way to cast your self. One that signals: “Yes, I have changed. Yes, things are different. Now we emerge in a new world.”
Perhaps she's posited anomie because it seems to be something that can be solved through shopping for new clothes.
It’s on fashion to define that something, because that something is going to be how history remembers whatever happens next. It will do what clothes always do, which is symbolize a moment, and give it visual shape. What that shape will be is the existential question facing designers right now.
I think she's saying "existential" because designers are faced with a threat to their existence, but it halfway feels as though she's talking about philosophical existentialism, because she's posited the problem of anomie in the consumer.
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"Dressed not for the anonymity of the hospital or the essential work force, the heat and heartbreak of the protest, the anomie of the supermarket or the park, but for the next stage catharsis. Capital D Dressed. It is both history and human nature."

Writes Vanessa Friedman in the NYT.

That offended me a little. I understand she's feeling the pressure to get back to big fashion — very expensive clothes and gala dress-up events — but that doesn't mean that these other things we do while wearing clothing are hollow and empty and deserving of words like "anonymity" and "anomie."

If fashion matters, it should matter when we're doing the things that are the most substantial aspects of our life — going to work, engaging in political expression, doing our walking-around errands, and recreating in public spaces. What do we wear when we're out in the street? And even if we're keeping it simple, how do we feel? There's no reason to think that if we're wearing jeans and a t-shirt or leggings and a sweater we're in a state of anomie.

Friedman is concerned about the business of fashion — and it seems that consumer psychology is more of a means to an end. What will bring shoppers back to the physical stores?
It’s going to be the irrational, emotional pull of a … something. The gut punch of recognition that comes from seeing a new way to cast your self. One that signals: “Yes, I have changed. Yes, things are different. Now we emerge in a new world.”
Perhaps she's posited anomie because it seems to be something that can be solved through shopping for new clothes.
It’s on fashion to define that something, because that something is going to be how history remembers whatever happens next. It will do what clothes always do, which is symbolize a moment, and give it visual shape. What that shape will be is the existential question facing designers right now.
I think she's saying "existential" because designers are faced with a threat to their existence, but it halfway feels as though she's talking about philosophical existentialism, because she's posited the problem of anomie in the consumer.


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