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"Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it."

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"Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it."
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"Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it."

Said Frank King (1883-1969), quoted in "Growing Old in Gasoline Alley: Ninety-four Years And Counting" (Comics Journal).
For a while, King focused exclusively on the car talk of his regular cast (Walt, Doc, Avery, and Bill), and then in 1921, Colonel McCormick’s cousin, partner and head of the Tribune-Daily News syndicate, Captain Joseph Patterson, decided that the cartoon would be even more popular if something in it appealed to women. "Get a baby into the story fast," he commanded the flabbergasted King, who protested that Walt, the main character, was a bachelor. It was then decided to have Walt find a baby in a basket on his doorstep—which he did on Valentine's Day, 1921.
With the arrival of the baby, the strip developed a stronger storyline. For instance, Walt took several days just to get the neighborhood's approval of the name he had chosen for the infant boy. “Skeezix” was Walt’s first choice, a slang term of endearment for a small child (akin to “squirt” or, even, “tyke”). Eventually, the boy was formally christened Allison: Alley-son, a son of the Alley.

Subsequently, almost accidentally, the strip evolved its most unique feature: its characters aged. The children grew up, and the adults grew older. To King, this innovative aspect of his strip was simply logical. "You have a one-week old baby, but he can't stay one week old forever. He had to grow." By logical extension, so did everyone else in the strip...  This attribute of Gasoline Alley added a dimension of real life to the strip, and King went on to convert everyday concerns about automobiles into a larger reflection of American life in a small town.
I was thinking about "Gasoline Alley" this morning because I saw this in my Twitter feed...



... and — as someone who's never been a reader of "Doonesbury" other than when it's pushed in my face — looking at the pictures before reading the text, I said, "Is 'Doonesbury' one of those comics where the characters grow old?"

I knew "Gasoline Alley" was the first comic that had its characters age, and I got completely sidetracked into reading about 'Gasoline Alley.'" So pleased to get to a Comics Journal article! Click over to that and see some of the great drawings. I read that comic strip in the 1950s and 60s when I was growing up, and I remember it being a favorite of my parents (who specifically liked that the characters grew up and grew old). I brought up "Gasoline Alley" here in real space, and Meade said it was his favorite comic — "no other competition... There were many days when I only read that and nothing else... go to the comics page, read 'Gasoline Alley' and that was it."

And here's Rod:

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Said Frank King (1883-1969), quoted in "Growing Old in Gasoline Alley: Ninety-four Years And Counting" (Comics Journal).
For a while, King focused exclusively on the car talk of his regular cast (Walt, Doc, Avery, and Bill), and then in 1921, Colonel McCormick’s cousin, partner and head of the Tribune-Daily News syndicate, Captain Joseph Patterson, decided that the cartoon would be even more popular if something in it appealed to women. "Get a baby into the story fast," he commanded the flabbergasted King, who protested that Walt, the main character, was a bachelor. It was then decided to have Walt find a baby in a basket on his doorstep—which he did on Valentine's Day, 1921.
With the arrival of the baby, the strip developed a stronger storyline. For instance, Walt took several days just to get the neighborhood's approval of the name he had chosen for the infant boy. “Skeezix” was Walt’s first choice, a slang term of endearment for a small child (akin to “squirt” or, even, “tyke”). Eventually, the boy was formally christened Allison: Alley-son, a son of the Alley.

Subsequently, almost accidentally, the strip evolved its most unique feature: its characters aged. The children grew up, and the adults grew older. To King, this innovative aspect of his strip was simply logical. "You have a one-week old baby, but he can't stay one week old forever. He had to grow." By logical extension, so did everyone else in the strip...  This attribute of Gasoline Alley added a dimension of real life to the strip, and King went on to convert everyday concerns about automobiles into a larger reflection of American life in a small town.
I was thinking about "Gasoline Alley" this morning because I saw this in my Twitter feed...



... and — as someone who's never been a reader of "Doonesbury" other than when it's pushed in my face — looking at the pictures before reading the text, I said, "Is 'Doonesbury' one of those comics where the characters grow old?"

I knew "Gasoline Alley" was the first comic that had its characters age, and I got completely sidetracked into reading about 'Gasoline Alley.'" So pleased to get to a Comics Journal article! Click over to that and see some of the great drawings. I read that comic strip in the 1950s and 60s when I was growing up, and I remember it being a favorite of my parents (who specifically liked that the characters grew up and grew old). I brought up "Gasoline Alley" here in real space, and Meade said it was his favorite comic — "no other competition... There were many days when I only read that and nothing else... go to the comics page, read 'Gasoline Alley' and that was it."

And here's Rod:



Thus articles "Almost anyone, with a little exaggeration, would make a good comic character. There is no lack of raw material. Not only the woods, but the streets and houses are full of it."

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