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"Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden..."
link : "Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden..."

"Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden..."

"... a gift to the national collection that would be the first work by an Asian-American artist to be included in it. The sculpture, Noguchi’s 1962 'Floor Frame,' highlights 'the beautiful contributions of Asian-American artists to the landscape of our country,' Ms. Trump said in a statement." 

The NYT reports. Noguchi is a highly respected sculptor — one of the greats, recognized for many decades. It's weird to see him talked about as if he's mostly a representative of a mass — "Asian-American artists" (with their "contributions... to the landscape"). 

Anyway, I've been critical of so many public sculptures lately, so it's satisfying to see something completely aesthetically pleasing. And I like how utterly low-to-the-ground and solidly stable it is. It would be hard to topple... not that I think the statue topplers will ever get into the Rose Garden.

The NYT focuses not on the aesthetics of sculpture, "Floor Frame," but Noguchi's time in an internment camp in World War II. We are reminded of what Trump said (in 2015) when he was asked about the U.S. government's internment policy: “I certainly hate the concept of it. But I would have had to be there at the time to give you a proper answer.”

Interestingly, Noguchi himself was not subject to the order that put Japanese-Americans into camps. He didn't live on the west coast, but in New York. He chose to spend time in one camp because he wanted to work on the design: "Instead of a place defined by its barbed wire enclosures, he envisioned a school, community center, botanical garden and even a miniature golf course in one blueprint." That never happened, but imagine detention camps where you'd want to live. 

Here's a picture of "Floor Frame" at the Noguchi website. The artist is quoted: 

Thinking of the floor, I made Floor Frame. I made many other pieces in relation to floor space at that time, but this seemed to best define the essentiality of floor, not as sculpture alone but as part of the concept of floor. 

So... it's all about the floor, but they are putting it in the garden. Ms. Trump's statement informs us that the sculpture represents at tree and its roots! And the NYT attributes that meaning to Noguchi. Such lazy and easily refuted propaganda. I could just as well say that the relocation of the floor sculpture to the garden symbolizes the relocation of Japanese-Americans in WWII.

"... a gift to the national collection that would be the first work by an Asian-American artist to be included in it. The sculpture, Noguchi’s 1962 'Floor Frame,' highlights 'the beautiful contributions of Asian-American artists to the landscape of our country,' Ms. Trump said in a statement." 

The NYT reports. Noguchi is a highly respected sculptor — one of the greats, recognized for many decades. It's weird to see him talked about as if he's mostly a representative of a mass — "Asian-American artists" (with their "contributions... to the landscape"). 

Anyway, I've been critical of so many public sculptures lately, so it's satisfying to see something completely aesthetically pleasing. And I like how utterly low-to-the-ground and solidly stable it is. It would be hard to topple... not that I think the statue topplers will ever get into the Rose Garden.

The NYT focuses not on the aesthetics of sculpture, "Floor Frame," but Noguchi's time in an internment camp in World War II. We are reminded of what Trump said (in 2015) when he was asked about the U.S. government's internment policy: “I certainly hate the concept of it. But I would have had to be there at the time to give you a proper answer.”

Interestingly, Noguchi himself was not subject to the order that put Japanese-Americans into camps. He didn't live on the

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west coast, but in New York. He chose to spend time in one camp because he wanted to work on the design: "Instead of a place defined by its barbed wire enclosures, he envisioned a school, community center, botanical garden and even a miniature golf course in one blueprint." That never happened, but imagine detention camps where you'd want to live. 

Here's a picture of "Floor Frame" at the Noguchi website. The artist is quoted: 

Thinking of the floor, I made Floor Frame. I made many other pieces in relation to floor space at that time, but this seemed to best define the essentiality of floor, not as sculpture alone but as part of the concept of floor. 

So... it's all about the floor, but they are putting it in the garden. Ms. Trump's statement informs us that the sculpture represents at tree and its roots! And the NYT attributes that meaning to Noguchi. Such lazy and easily refuted propaganda. I could just as well say that the relocation of the floor sculpture to the garden symbolizes the relocation of Japanese-Americans in WWII.

Thus articles "Melania Trump on Friday announced that a work by the sculptor Isamu Noguchi would be installed in the White House Rose Garden..."

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