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"A young, female executive arrives in.. broadcast television in the 1990s and... is so good at spotting hits that she becomes, at 32, the president of entertainment at ABC...." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "A young, female executive arrives in.. broadcast television in the 1990s and... is so good at spotting hits that she becomes, at 32, the president of entertainment at ABC....", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "A young, female executive arrives in.. broadcast television in the 1990s and... is so good at spotting hits that she becomes, at 32, the president of entertainment at ABC...."
link : "A young, female executive arrives in.. broadcast television in the 1990s and... is so good at spotting hits that she becomes, at 32, the president of entertainment at ABC...."

"A young, female executive arrives in.. broadcast television in the 1990s and... is so good at spotting hits that she becomes, at 32, the president of entertainment at ABC...."

"But she fizzles in epic fashion, brought down by corporate dysfunction, unvarnished sexism, self-sabotage, weaponized industry gossip and scalding news media scrutiny.... ABC badly needed fresh hit shows, and Ms. Tarses... had shepherded the cuddly 'Mad About You' and the neurotic 'Frasier”' to NBC’s prime-time lineup. 'Friends,' which she had helped develop, was the envy of every network.... After a year at ABC, Ms. Tarses, who had alienated some colleagues by not returning calls and missing morning meetings, gave the journalist Lynn Hirschberg unfettered access for an 8,000-word cover story in The New York Times Magazine. The piece portrayed Ms. Tarses as 'a nervous girl' who swung erratically between arrogance and insecurity. 'Women are emotional, and Jamie is particularly emotional,' one male agent, speaking anonymously, was quoted as saying. 'You think of her as a girl, and it changes how you do business with her.'... Ms. Tarses resigned in 1999. She left ABC with one popular sitcom, 'Dharma & Greg,' and one comedy that was a hit with critics, Aaron Sorkin’s 'Sports Night.'... 'I just don’t want to play anymore,' she told The Los Angeles Times when she left ABC. 'The work is a blast. The rest of this nonsense I don’t need.'"

 From "Jamie Tarses, Executive in a Hollywood Rise-and-Fall Story, Dies at 56/She broke barriers as a woman in the TV industry and turned out hit after hit, only to see it all fizzle under a very public spotlight" (NYT).

"But she fizzles in epic fashion, brought down by corporate dysfunction, unvarnished sexism, self-sabotage, weaponized industry gossip and scalding news media scrutiny.... ABC badly needed fresh hit shows, and Ms. Tarses... had shepherded the cuddly 'Mad About You' and the neurotic 'Frasier”' to NBC’s prime-time lineup. 'Friends,' which she had helped develop, was the envy of every network.... After a year at ABC, Ms. Tarses, who had alienated some colleagues by not returning calls and missing morning meetings, gave the journalist Lynn Hirschberg unfettered access for an 8,000-word cover story in The New York Times Magazine. The piece portrayed Ms. Tarses as 'a nervous girl' who swung erratically between arrogance and insecurity. 'Women are emotional, and Jamie is particularly emotional,' one male agent, speaking anonymously, was quoted as saying. 'You think of her as a

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girl, and it changes how you do business with her.'... Ms. Tarses resigned in 1999. She left ABC with one popular sitcom, 'Dharma & Greg,' and one comedy that was a hit with critics, Aaron Sorkin’s 'Sports Night.'... 'I just don’t want to play anymore,' she told The Los Angeles Times when she left ABC. 'The work is a blast. The rest of this nonsense I don’t need.'"

 From "Jamie Tarses, Executive in a Hollywood Rise-and-Fall Story, Dies at 56/She broke barriers as a woman in the TV industry and turned out hit after hit, only to see it all fizzle under a very public spotlight" (NYT).

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