Title : It was 50 years ago today: the first public performance of "Stairway to Heaven."
link : It was 50 years ago today: the first public performance of "Stairway to Heaven."
It was 50 years ago today: the first public performance of "Stairway to Heaven."
From "Stairway to Heaven: the story of a song and its legacy/Led Zeppelin’s Stairway to Heaven continues to prop up best-ever lists. But what made it great? Jimmy Page and some of the song’s admirers explain its magic" (The Guardian):John Paul Jones has said the song’s first performance, at Ulster Hall in Belfast in March 1971, won no plaudits from the crowd – “They were all bored to tears waiting to hear something they knew” – though bootlegs of the show have it ending to perfectly respectful and sustained applause....
[Later], Stairway usually featured in the middle of Zeppelin’s live set (at that Belfast show, it was played sixth, between Dazed and Confused and another new song, Going to California), then, Page says, “it got to the point where, because of the affection for it from the audience, it was gonna be better to put it at the end, so there was anticipation for it. And what were you gonna follow it with? So you’d finish the set with it then come back on and do the encores.”
Zeppelin legend holds that to maximise the song’s impact, the band’s manager, Peter Grant, told Plant not to speak after Stairway, to maximise the moment of profundity. Page has an idea for what would happen if he were playing the song in this era: “Now you should just open with it.” He laughs at his own audacity. “That’d be something, wouldn’t it?”
John Paul Jones has said the song’s first performance, at Ulster Hall in Belfast in March 1971, won no plaudits from the crowd – “They were all bored to tears waiting to hear something they knew” – though bootlegs of the show have it ending to perfectly respectful and sustained applause....
[Later], Stairway usually featured in the middle of Zeppelin’s live set (at that Belfast show, it was played sixth, between Dazed and Confused and another new song, Going to California), then, Page says, “it got to the point where, because of the affection for it from the audience, it was gonna be better to put it at the end, so there was anticipation for it. And what were you gonna follow it with? So you’d finish the set with it then come back on and do the encores.”
Zeppelin legend holds that to maximise the song’s impact, the band’s manager, Peter Grant, told Plant not to speak after Stairway, to maximise the moment of profundity. Page has an idea for what would happen if he were playing the song in this era: “Now you should just open with it.” He laughs at his own audacity. “That’d be something, wouldn’t it?”
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