Title : "The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct..."
link : "The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct..."
"The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct..."
"... he has to worry about socializing his little Tom Paine. But once little Tom Paine has been let into the company of men and the father is still educating him as a boy, the father is finished. Sure, he’s worrying about the pitfalls—if he wasn’t, it would be wrong. But he’s finished anyway. Little Tom Paine has no choice but to write him off, to betray the father and go boldly forth to step straight into life’s very first pit. And then, all on his own—providing real unity to his existence—to step from pit to pit for the rest of his days, until the grave, which, if it has nothing else to recommend it, is at least the last pit into which one can fall."
From "I Married a Communist" by Philip Roth.
The character in the novel became entranced with Tom Paine by reading "Citizen Tom Paine" by Howard Fast, which came out in 1943.
“He was the most hated—and perhaps by a few the most loved—man in all the world.” “A mind that burned itself as few minds in all human history.” “To feel on his own soul the whip laid on the back of millions.” “His thoughts and ideas were closer to those of the average working man than Jefferson’s could ever be.” That was Paine as Fast portrayed him, savagely single-minded and unsociable, an epic, folkloric belligerent—unkempt, dirty, wearing a beggar’s clothes, bearing a musket in the unruly streets of wartime Philadelphia, a bitter, caustic man, often drunk, frequenting brothels, hunted by assassins, and friendless.
He did it all alone: “My only friend is the revolution.” By the time I had finished the book, there seemed to me no way other than Paine’s for a man to live and die if he was intent on demanding, in behalf of human freedom—demanding both from remote rulers and from the coarse mob—the transformation of society. He did it all alone. There was nothing about Paine that could have been more appealing, however unsentimentally Fast depicted an isolation born of defiant independence and personal misery.
"... he has to worry about socializing his little Tom Paine. But once little Tom Paine has been let into the company of men and the father is still educating him as a boy, the father is finished. Sure, he’s worrying about the pitfalls—if he wasn’t, it would be wrong. But he’s finished anyway. Little Tom Paine has no choice but to write him off, to betray the father and go boldly forth to step straight into life’s very first pit. And then, all on his own—providing real unity to his existence—to step from pit to pit for the rest of his days, until the grave, which, if it has nothing else to recommend it, is at least the last pit into which one can fall."
From "I Married a Communist" by Philip Roth.
The character in the novel became entranced with Tom Paine by reading "Citizen Tom Paine" by Howard Fast, which came out in 1943.
“He was the most hated—and perhaps by a few the most loved—man in all the world.” “A mind that burned itself as few minds in all human history.” “To feel on his own soul the whip laid on the back of millions.” “His thoughts and ideas were closer to those of the average working man than Jefferson’s could ever be.” That was Paine as Fast portrayed him, savagely single-minded and unsociable, an epic, folkloric belligerent—unkempt, dirty, wearing a beggar’s clothes, bearing a musket in the unruly streets of wartime Philadelphia, a bitter, caustic man, often drunk, frequenting brothels, hunted by assassins, and friendless.
He did it all alone: “My only friend is the revolution.” By the time I had finished the book, there seemed to me no way other than Paine’s for a man to live and die if he was intent on demanding, in behalf of human freedom—demanding both from remote rulers and from the coarse mob—the transformation of society. He did it all alone. There was nothing about Paine that could have been more appealing, however unsentimentally Fast depicted an isolation born of defiant independence and personal misery.
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