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"The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes."
link : "The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes."

"The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes."

"Corporate partners come and go, but James Bond endures. He endures precisely because he is being protected by people who love him. The current deal with Amazon gives Barbara Broccoli and Michael Wilson, who own 50 percent of the Bond empire, ironclad assurances of continued artistic control. But will this always be the case?... The Bond movies are truly the most bespoke and handmade films I’ve ever worked on. That’s why they are original, thorny, eccentric and special. They were never created with lawyers and accountants and e-commerce mass marketing pollsters hovering in the background. This is also why they can afford to be daring."

Writes John Logan in "I Wrote James Bond Movies. The Amazon-MGM Deal Gives Me Chills" (NYT).

So... keep James Bond James Bond, right? Think again! Here's Logan's favorite thing that happened in the making of "Skyfall":

Sam Mendes, the director, and I marched into Barbara and Michael’s office, sat at the family table and pitched the first scene between Bond and the villain, Raoul Silva. Now, the moment 007 first encounters his archnemesis is often the iconic moment in a Bond movie, the scene around which you build a lot of the narrative and cinematic rhythms.... Well, Sam and I boldly announced we wanted to do this pivotal scene as a homoerotic seduction. Barbara and Michael didn’t need to poll a focus group. They didn’t need to vet this radical idea with any studio or corporation — they loved it instantly. They knew it was fresh and new, provocative in a way that keeps the franchise contemporary. They weren’t afraid of controversy. In my experience, not many big movies can work with such freedom and risky joy.

"Corporate partners come and go, but James Bond endures. He endures precisely because he is being protected by people who love him. The current deal with Amazon gives Barbara Broccoli and Michael Wilson, who own 50 percent of the Bond empire, ironclad assurances of continued artistic control. But will this always be the case?... The Bond movies are truly the most bespoke and handmade films I’ve ever worked on. That’s why they are original, thorny, eccentric and special. They were never created with lawyers and accountants and e-commerce mass marketing pollsters hovering in the background. This is also why they can afford to be daring."

Writes John Logan in "I Wrote James Bond Movies. The Amazon-MGM Deal Gives Me Chills" (NYT).

So... keep James Bond James Bond, right? Think again! Here's Logan's favorite thing that happened in the making of "Skyfall":

Sam Mendes, the director,

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and I marched into Barbara and Michael’s office, sat at the family table and pitched the first scene between Bond and the villain, Raoul Silva. Now, the moment 007 first encounters his archnemesis is often the iconic moment in a Bond movie, the scene around which you build a lot of the narrative and cinematic rhythms.... Well, Sam and I boldly announced we wanted to do this pivotal scene as a homoerotic seduction. Barbara and Michael didn’t need to poll a focus group. They didn’t need to vet this radical idea with any studio or corporation — they loved it instantly. They knew it was fresh and new, provocative in a way that keeps the franchise contemporary. They weren’t afraid of controversy. In my experience, not many big movies can work with such freedom and risky joy.

Thus articles "The reason we’re still watching Bond movies after more than 50 years is that the family has done an extraordinary job of protecting the character through the thickets of moviemaking and changing public tastes."

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