Title : "A crucial link between the classicism of John Ford and the postmodern revisionism of Sam Peckinpah, the string of westerns made by Budd Boetticher and actor Randolph Scott in the late 1950s..."
link : "A crucial link between the classicism of John Ford and the postmodern revisionism of Sam Peckinpah, the string of westerns made by Budd Boetticher and actor Randolph Scott in the late 1950s..."
"A crucial link between the classicism of John Ford and the postmodern revisionism of Sam Peckinpah, the string of westerns made by Budd Boetticher and actor Randolph Scott in the late 1950s..."
"... represent one of the great director-star collaborations in Hollywood history. All written, with the exception of DECISION AT SUNDOWN and BUCHANAN RIDES ALONE, by expert screenwriter Burt Kennedy, the films made the most of their lean production values, achieving an expressively stripped-down stylistic purity that served to heighten their psychological tension. With Scott cast in each film as a taciturn loner pitted against a memorably complex adversary, the Ranown westerns display an extraordinary thematic and stylistic coherence that mark them as the work of a true, underappreciated auteur."
That's the description of "The Ranown Westerns" at the Criterion Channel, a streaming service I highly recommend if you want a big selection of high-quality movies from the entire history of film. (Ranown is the name of the production company, a combination of the names Randolph and Brown.)
I'd clicked on the first one — "7 Men from Now" — out of mild curiosity, but we massively enjoyed it and, the next night, watched "The Tall T." It was hard to decide which was better, and I saw that both movies were rated 100% "fresh" at Rotten Tomatoes. On the third night, we watched "Decision at Sundown," and there was something off about the writing, and we ended up laughing at it a lot. Perhaps only "expert screenwriter Burt Kennedy" can pull the various elements together. But "7 Men from Now" and "The Tall T" also had a great bad guy to balance Scott — Lee Marvin and Robert Preston, respectively. In "Decision at Sundown," Scott himself was a nasty guy. That could have worked....
"... represent one of the great director-star collaborations in Hollywood history. All written, with the exception of DECISION AT SUNDOWN and BUCHANAN RIDES ALONE, by expert screenwriter Burt Kennedy, the films made the most of their lean production values, achieving an expressively stripped-down stylistic purity that served to heighten their psychological tension. With Scott cast in each film as a taciturn loner pitted against a memorably complex adversary, the Ranown westerns display an extraordinary thematic and stylistic coherence that mark them as the work of a true, underappreciated auteur."
That's the description of "The Ranown Westerns" at the Criterion Channel, a streaming service I highly recommend if you want a big selection of high-quality movies from the entire history of film. (Ranown is the name of the production company, a combination of the names Randolph and Brown.)
I'd clicked on the first one — "7 Men from Now" — out of mild curiosity, but we massively enjoyed it and, the next night, watched "The Tall T." It was hard to decide which was better, and I saw that both movies were rated 100% "fresh" at Rotten Tomatoes. On the third night, we watched "Decision at Sundown," and there was something off about the writing, and we ended up laughing at it a lot. Perhaps only "expert screenwriter Burt Kennedy" can pull the various elements together. But "7 Men from Now" and "The Tall T" also had a great bad guy to balance Scott — Lee Marvin and Robert Preston, respectively. In "Decision at Sundown," Scott himself was a nasty guy. That could have worked....
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