Title : "What is there to say about an art exhibition that is closed to the public? We can wrestle theoretically with whether art requires a physical viewer to be fully realized...
link : "What is there to say about an art exhibition that is closed to the public? We can wrestle theoretically with whether art requires a physical viewer to be fully realized...
"What is there to say about an art exhibition that is closed to the public? We can wrestle theoretically with whether art requires a physical viewer to be fully realized...
"... but there is nothing abstract about art going unseen that is still resolutely there: just as carefully preserved, hung with the same meticulous precision, thoughtfully interpreted by unread wall text, and in the dark, behind locked doors. And yet, 'Painting Edo,' the ambitious jewel of an exhibition currently on view for no one at the Harvard Art Museum, is perhaps arguably experiencing its most historically authentic moment in the strangeness of ours. Because to fully understand the significance of the Edo Period in Japan, which lasted from around 1600 to 1868, is to place yourself in a country that flourished even as it was closed off to the rest of the world. Japan was famously isolated during this period, save for some Dutch trade, and the most enduring legacy of this seclusion is a diverse and elegant body of art that evolved as a result of this fervid inward gaze."
You can see the unseeable exhibition through a series of videos, here. I'll embed one:
I've long observed the topic I call "Seen and Unseen." That link goes to all the posts I've tagged that way. I love the phrase "on view for no one." It seems more profound than "not on view." The idea that it is "on view" seems to survive, and this "no one" seems like a spiritual entity that does move through the galleries, gazing at the artwork.
The article ends: "These objects that keenly observe, create, and reflect their world comprise an exhibition about isolation that can’t help but gain new meaning in our current world." That is, our reaction to covid. "Perhaps we can take some solace by imagining what’s taking place inside those darkened galleries—scrolls stretching, fans in conversation, butterflies dancing between buds, flourishing even in our absence."
If that's all just too damned twee, here's a quick explanation of the history of Japan, and it's much more video-as-video than the video I embedded above.
If you watched that, I'm pretty sure you were entertained, but I hope you thought about whether it's a story "about isolation that can’t help but gain new meaning in our current world."
"... but there is nothing abstract about art going unseen that is still resolutely there: just as carefully preserved, hung with the same meticulous precision, thoughtfully interpreted by unread wall text, and in the dark, behind locked doors. And yet, 'Painting Edo,' the ambitious jewel of an exhibition currently on view for no one at the Harvard Art Museum, is perhaps arguably experiencing its most historically authentic moment in the strangeness of ours. Because to fully understand the significance of the Edo Period in Japan, which lasted from around 1600 to 1868, is to place yourself in a country that flourished even as it was closed off to the rest of the world. Japan was famously isolated during this period, save for some Dutch trade, and the most enduring legacy of this seclusion is a diverse and elegant body of art that evolved as a result of this fervid inward gaze."
You can see the unseeable exhibition through a series of videos, here. I'll embed one:
I've long observed the topic I call "Seen and Unseen." That link goes to all the posts I've tagged that way. I love the phrase "on view for no one." It seems more profound than "not on view." The idea that it is "on view" seems to survive, and this "no one" seems like a spiritual entity that does move through the galleries, gazing at the artwork.
The article ends: "These objects that keenly observe, create, and reflect their world comprise an exhibition about isolation that can’t help but gain new meaning in our current world." That is, our reaction to covid. "Perhaps we can take some solace by imagining what’s taking place inside those darkened galleries—scrolls stretching, fans in conversation, butterflies dancing between buds, flourishing even in our absence."
If that's all just too damned twee, here's a quick explanation of the history of Japan, and it's much more video-as-video than the video I embedded above.
If you watched that, I'm pretty sure you were entertained, but I hope you thought about whether it's a story "about isolation that can’t help but gain new meaning in our current world."
Thus articles "What is there to say about an art exhibition that is closed to the public? We can wrestle theoretically with whether art requires a physical viewer to be fully realized...
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