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"Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..."
link : "Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..."

"Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..."

"... using the equipment they had to hand. For string parts, you’d play ukuleles or guitars or banjos, but for the horns you’d play the kazoo. But of course, kazoos were not particularly pleasant instruments, and they certainly didn’t sound much like a saxophone or clarinet. But it turned out you could make them sound a lot more impressive than they otherwise would if you blew them into something that resonated. Different sizes of container would resonate differently, and so you could get a pretty fair approximation of a horn section by having a teapot, a small coffee pot, and a large coffee pot, and having three of your band members play kazoos into them. The large coffee pot you could also pass around to the crowd afterward, to collect the money in...."

 
From "A History of Rock Music in 500 Songs/Episode 6: The Ink Spots — 'That’s When Your Heartaches Begin.'" I'm immensely enjoying this podcast, so I recommend starting with "Episode 1: 'Flying Home' by the Benny Goodman Sextet." 

There is so much detail to the story — the story of rock music — and I've simply pulled out one sample passage that's both really interesting and demonstrative of the level of detail to be found. I love that the podcaster, Andrew Hickey, gives us a complete transcript. It's nice for people who want to share things on line and start conversations, as I'm doing here.

I'm up to "Episode 15: 'Hound Dog' by Big Mama Thornton."

One of her favourite drinks was embalming fluid and grape juice (just in case anyone was considering doing this, please don’t. It’s really not a good idea, at all, even a little bit. Don’t drink embalming fluid.) According to Jerry Leiber she had razor scars all over her face. She was a very, very, intimidating person. 

At the very least, she didn’t fit into neat boxes. But you see, all that stuff I just said… *that* is putting her into a box — the caricature angry, aggressive, black woman. And that was a box she never liked to be put in either, but which she was put in by other people. What I just said, you’ll notice, is all about what other people thought of her, and that’s not always what she thought of herself....

And while she is uniformly described as “masculine-looking” (whatever *that* means), she put it rather differently, saying “I don’t go out on stage trying to look pretty. I was born pretty.”... 

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"... using the equipment they had to hand. For string parts, you’d play ukuleles or guitars or banjos, but for the horns you’d play the kazoo. But of course, kazoos were not particularly pleasant instruments, and they certainly didn’t sound much like a saxophone or clarinet. But it turned out you could make them sound a lot more impressive than they otherwise would if you blew them into something that resonated. Different sizes of container would resonate differently, and so you could get a pretty fair approximation of a horn section by having a teapot, a small coffee pot, and a large coffee pot, and having three of your band members play kazoos into them. The large coffee pot you could also pass around to the crowd afterward, to collect the money in...."

 
From "A History of Rock Music in 500 Songs/Episode 6: The Ink Spots — 'That’s When Your Heartaches Begin.'" I'm immensely enjoying this podcast, so I recommend starting with "Episode 1: 'Flying Home' by the Benny Goodman Sextet." 

There is so much detail to the story — the story of rock music — and I've simply pulled out one sample passage that's both really interesting and demonstrative of the level of detail to be found. I love that the podcaster, Andrew Hickey, gives us a complete transcript. It's nice for people who want to share things on line and start conversations, as I'm doing here.

I'm up to "Episode 15: 'Hound Dog' by Big Mama Thornton."

One of her favourite drinks was embalming fluid and grape juice (just in case anyone was considering doing this, please don’t. It’s really not a good idea, at all, even a little bit. Don’t drink embalming fluid.) According to Jerry Leiber she had razor scars all over her face. She was a very, very, intimidating person. 

At the very least, she didn’t fit into neat boxes. But you see, all that stuff I just said… *that* is putting her into a box — the caricature angry, aggressive, black woman. And that was a box she never liked to be put in either, but which she was put in by other people. What I just said, you’ll notice, is all about what other people thought of her, and that’s not always what she thought of herself....

And while she is uniformly described as “masculine-looking” (whatever *that* means), she put it rather differently, saying “I don’t go out on stage trying to look pretty. I was born pretty.”... 

Thus articles "Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..."

that is all articles "Coffee-pot groups were groups of poor black teenagers, who performed on street corners and tried to reproduce the sounds of the lush records they heard on the radio, using… well..." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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