"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."
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"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."

"... like the one of wonder captured by 'The Red Balloon,' and one of whimsy captured by Jacques Tati. One of the film’s producers, Jeremy Dawson, said that Anderson was looking for a place 'with nooks and crannies, corridors, passages, staircases, layers and ramparts.' The filmmakers began their scouting search on Google, digitally navigating the streets of towns that might fit the bill. Then they hit the road to visit a few of them. While in Angoulême, they came across a plaza with a small cafe. Dawson recalled that Anderson suggested grabbing lunch at the cafe. 'When he said that, I knew he’d picked this town,' Dawson said. Angoulême, in the southwest of France with a population of about 42,000, is no stranger to invasions; during the Hundred Years’ War, it was the site of battles between the French and English. These visitors were much more benign. During the shoot, the crew came up with various ways to give the town’s old-world collection of buildings, streets and facades a bit of an Andersonized touch — a cute little vintage vehicle parked here, a peppy striped awning set up there. And sometimes miniatures were used to help enhance the setting...."

From "When Wes Anderson Comes to Town, Buildings Get Symmetrical/For 'The French Dispatch,' the filmmakers set up shop in a real French city to create the setting for the movie’s fictional one" (NYT).

I like that they scouted for the location using Google "street view." At no cost, we can all scout for locations for our movies. What's yours? You have an idea of a foreign place, and, instead of researching and learning what that place is really like, you search for the real place that's closest to that image in your head. Is there something wrong with that?

The NYT excerpt has links to 2 trailers of old films — both of which have been on my list of selected films at the Criterion Collection for about as long as I've been a subscriber (2 months). There's "The Red Balloon":

And that "whimsy captured by Jacques Tati" is "Playtime":

I'm about a third of the way through "Playtime." Something I texted someone while I was watching it: "possibly the most artistic and sophisticated thing I’ve ever seen."

And that "whimsy captured by Jacques Tati" is "Playtime":

I'm about a third of the way through "Playtime." Something I texted someone while I was watching it: "possibly the most artistic and sophisticated thing I’ve ever seen."

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"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."

"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."

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"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."

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"In considering the setting for his movie, [Wes] Anderson wanted something like Paris, but a version that doesn’t exist anymore outside of cinema..."

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