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"[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality."
link : "[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality."

"[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality."

"[Hagai Levi, in the HBO remake of 'Scenes from a Marriage'] sees marriage as a way of navigating one’s place in the economic and social order. Child rearing features much more saliently in his characters’ lives, as does the management of a shared household. ... If marriage is composed of a set of tasks or projects—a career, parenting, keeping a home—its failures can be displayed as extrinsic to the question of how spouses connect. Levi’s diagnosis is something like: these people have different priorities.... What was, in Bergman’s hands, a horrifying picture of the limits of human contact becomes, in Levi’s, a set of increasingly independent journeys of personal growth. By the end of the remake, Jonathan, Mira, and their daughter are flourishing, and even part of their house has been renovated.... For Bergman, connecting is the goal, and it’s not clear that we can do it.... Can you get close enough to any person for life to feel real? These are Bergman’s questions; Levi doesn’t ask them."

 
From "The Problem of Marital Loneliness/The new 'Scenes from a Marriage,' on HBO, avoids the dark questions that Ingmar Bergman confronted in the original" by Agnes Callard (The New Yorker).

This article transcribes a quote that I'd half-remembered since I saw the Bergman movie in 1973: "I have a mental picture of myself that doesn’t correspond to reality... My senses—sight, hearing, touch—are starting to fail me. This table, for instance: I can see it and touch it, but the sensation is deadened and dry. . . . It’s the same with everything. Music, scents, faces, voices—everything seems puny, gray, and undignified."

That's said by an older woman to the main female character, who is a young woman under the impression that she has a fine marriage. I was seeing the movie when I was 22, and I had just gotten married, and those lines truly freaked me out. The feeling of being dead while alive — separated from life and unable to get back into it — is a terrible thing, and if you attribute that feeling to you marriage, how frightening. Marriage is what had seemed like the destination, an opening up into the greatest feeling of being alive.

ADDED: This seems to call for the song "Being Alive." Here: pick one.

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"[Hagai Levi, in the HBO remake of 'Scenes from a Marriage'] sees marriage as a way of navigating one’s place in the economic and social order. Child rearing features much more saliently in his characters’ lives, as does the management of a shared household. ... If marriage is composed of a set of tasks or projects—a career, parenting, keeping a home—its failures can be displayed as extrinsic to the question of how spouses connect. Levi’s diagnosis is something like: these people have different priorities.... What was, in Bergman’s hands, a horrifying picture of the limits of human contact becomes, in Levi’s, a set of increasingly independent journeys of personal growth. By the end of the remake, Jonathan, Mira, and their daughter are flourishing, and even part of their house has been renovated.... For Bergman, connecting is the goal, and it’s not clear that we can do it.... Can you get close enough to any person for life to feel real? These are Bergman’s questions; Levi doesn’t ask them."

 
From "The Problem of Marital Loneliness/The new 'Scenes from a Marriage,' on HBO, avoids the dark questions that Ingmar Bergman confronted in the original" by Agnes Callard (The New Yorker).

This article transcribes a quote that I'd half-remembered since I saw the Bergman movie in 1973: "I have a mental picture of myself that doesn’t correspond to reality... My senses—sight, hearing, touch—are starting to fail me. This table, for instance: I can see it and touch it, but the sensation is deadened and dry. . . . It’s the same with everything. Music, scents, faces, voices—everything seems puny, gray, and undignified."

That's said by an older woman to the main female character, who is a young woman under the impression that she has a fine marriage. I was seeing the movie when I was 22, and I had just gotten married, and those lines truly freaked me out. The feeling of being dead while alive — separated from life and unable to get back into it — is a terrible thing, and if you attribute that feeling to you marriage, how frightening. Marriage is what had seemed like the destination, an opening up into the greatest feeling of being alive.

ADDED: This seems to call for the song "Being Alive." Here: pick one.

Thus articles "[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality."

that is all articles "[Ingmar] Bergman suggested that marriage was meant to address a metaphysical need: our connection to reality." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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