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Title : "Into this lacuna created by non-naming come degrading, disgusted terms for labia – 'beef curtains,' 'fanny flaps'” – that reinforce the sense that squeamishness is warranted..."
link : "Into this lacuna created by non-naming come degrading, disgusted terms for labia – 'beef curtains,' 'fanny flaps'” – that reinforce the sense that squeamishness is warranted..."
"Into this lacuna created by non-naming come degrading, disgusted terms for labia – 'beef curtains,' 'fanny flaps'” – that reinforce the sense that squeamishness is warranted..."
"Second-wave feminists [had] consciousness-raising women’s groups where everyone would examine their vulva with a hand mirror. That fell out of fashion in the 90s and 00s – surfing a post-ironic, anti-earnest wave, feminism was suddenly fine with the hidden, private vulva. Any public notion of what a vulva looked like was created by pornography, starting with complete hairlessness..... [There is a] digital native generation that [looks at pornography and thinks] 'Oh my God, that is not what I look like' [and doesn't want] to talk to anyone about it, because that would be mortifying.'... The artist Jamie McCartney produced The Great Wall of Vagina – 400 plastercast vulvas – in 2011... (He knows that the casts he has made are of vulvas, not vaginas, but the word play doesn’t work so well.)... 'While casting, I discovered that loads of women.... would look at other casts and say: "This one’s so neat," or: "I wish mine looked more like that." I was incredulous – there really wasn’t any sense in my mind that some were good and some were defective. And this ideal was created in my name, apparently, because that’s what men like. I just thought: "Fuck that."'... On social media, even the most conceptual works of feminist visual representation often have to be taken down due to nudity or 'community' guidelines...."ADDED: I'm trying to grasp "post-ironic, anti-earnest." Seems contradictory, but maybe that's what they were. I do remember finding the consciousness-raising era feminism too earnest. But I don't really know when feminists were not earnest. As for irony, if the later feminists were post-ironic, when was the ironic era in feminism? I lived through the whole thing and observed it, through my own varying levels of irony and earnestness.
And let me say that I like "The Great Wall of Vagina" as photographed at The Guardian, though I can see I didn't like it, based on different photographs, when I blogged about it — here — in 2012.
Also, I remember the original plastercasters, who preserved the form of male genitalia, specifically rock-star genitalia (Hendrix, etc.). Was that post-ironic and anti-earnest? The penises were erect. Does that help answer the question?
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"Second-wave feminists [had] consciousness-raising women’s groups where everyone would examine their vulva with a hand mirror. That fell out of fashion in the 90s and 00s – surfing a post-ironic, anti-earnest wave, feminism was suddenly fine with the hidden, private vulva. Any public notion of what a vulva looked like was created by pornography, starting with complete hairlessness..... [There is a] digital native generation that [looks at pornography and thinks] 'Oh my God, that is not what I look like' [and doesn't want] to talk to anyone about it, because that would be mortifying.'... The artist Jamie McCartney produced The Great Wall of Vagina – 400 plastercast vulvas – in 2011... (He knows that the casts he has made are of vulvas, not vaginas, but the word play doesn’t work so well.)... 'While casting, I discovered that loads of women.... would look at other casts and say: "This one’s so neat," or: "I wish mine looked more like that." I was incredulous – there really wasn’t any sense in my mind that some were good and some were defective. And this ideal was created in my name, apparently, because that’s what men like. I just thought: "Fuck that."'... On social media, even the most conceptual works of feminist visual representation often have to be taken down due to nudity or 'community' guidelines...."
ADDED: I'm trying to grasp "post-ironic, anti-earnest." Seems contradictory, but maybe that's what they were. I do remember finding the consciousness-raising era feminism too earnest. But I don't really know when feminists were not earnest. As for irony, if the later feminists were post-ironic, when was the ironic era in feminism? I lived through the whole thing and observed it, through my own varying levels of irony and earnestness.
And let me say that I like "The Great Wall of Vagina" as photographed at The Guardian, though I can see I didn't like it, based on different photographs, when I blogged about it — here — in 2012.
Also, I remember the original plastercasters, who preserved the form of male genitalia, specifically rock-star genitalia (Hendrix, etc.). Was that post-ironic and anti-earnest? The penises were erect. Does that help answer the question?
Thus articles "Into this lacuna created by non-naming come degrading, disgusted terms for labia – 'beef curtains,' 'fanny flaps'” – that reinforce the sense that squeamishness is warranted..."
that is all articles "Into this lacuna created by non-naming come degrading, disgusted terms for labia – 'beef curtains,' 'fanny flaps'” – that reinforce the sense that squeamishness is warranted..." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.
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