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"The University of Wisconsin Smears a Once-Treasured Alum."

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Title : "The University of Wisconsin Smears a Once-Treasured Alum."
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"The University of Wisconsin Smears a Once-Treasured Alum."

A column by John McWhorter (NYT). 

The alum is Fredric March, an actor most people going to school today probably don't remember. Try streaming "The Best Years of Our Lives" (1946). He was important enough to the University of Wisconsin that they put his name on some theater buildings.

He's been attacked for an obvious reason: He belonged to the Ku Klux Klan! But it wasn't that Ku Klux Klan. It was back in 1919/1920 and there was and interfraternity group that called itself the Ku Klux Klan. To think that means something awful is to be historically ignorant, McWhorter explains:
The later 20th century Klan emerged gradually in the wake of the racist film “The Birth of a Nation” in 1915, and only became a national phenomenon starting in 1921. In Wisconsin in 1919, when March was inducted into his group, it was possible to have never heard of the Ku Klux Klan that was later so notorious.... 
Even Madison’s chancellor, Rebecca Blank, has written that March had “fought the persecution of Hollywood artists, many of them Jewish, in the 1950s by the House Un-American Activities Committee” and that March “took actions later in life to suggest (he) opposed discrimination.”...

So... it was 4 years after "The Birth of a Nation." And "it was possible to have never heard of the Ku Klux Klan"? But why was it called "the Ku Klux Klan"? McWhorter says there's "no evidence" that it's the same Ku Klux Klan. But the name is some evidence, and the lack of any other explanation of the name, and the fact that "The Birth of a Nation" had been out for 4 years is at least some evidence.

I agree with McWhorter that March shouldn't be tarred as a racist for something he did for a year as a young man and that might have been genuinely racist. But the question is whether his name should be used to name the campus theaters. We have a much more important theater-related alum — Lorraine Hansberry. I'd put her name on the theaters. Update the honoring.

Back to McWhorter:

This witch-burning mentality is something most of us less concur with than fear.... The students who got March’s name taken off those buildings made a mistake, as did the administrators who again caved to weakly justified demands, seemingly too scared of being called racists to take a deep breath and engage in reason. The University of Wisconsin must apologize to March and his survivors. His name should be restored to both of the theaters now denuded of his name, including the Madison building, which he in fact helped bring into being and funded the lighting equipment even before the building was named after him. This must happen in the name of what all involved in this mistake are committed to: social justice — which motivated March throughout his life.

ADDED: As someone who has taught the law school course called Evidence, I rankle at the phrase "no evidence." Evidence is anything that makes a fact of consequence either more likely to be true or less tlikely to be true. There is clearly some evidence that March affiliated himself with a racist group. It's fine to say there's not enough evidence to justify removing March's name from these buildings, especially when we also have evidence that March was an anti-racist. That's all you need to say. 

AND: This isn't a trial of March where his accusers must meet a burden of proof and the question is whether he ought to be convicted of racism. That ought to fail because he has a constitutional right to be a racist. We wouldn't even go to trial. But if it did, there wouldn't be enough evidence to convict him. But the important point here is that the question in issue is whether his name ought to be on campus buildings today. What should the burden of proof be and is it met? That's the way to analyze this controversy.

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A column by John McWhorter (NYT). 

The alum is Fredric March, an actor most people going to school today probably don't remember. Try streaming "The Best Years of Our Lives" (1946). He was important enough to the University of Wisconsin that they put his name on some theater buildings.

He's been attacked for an obvious reason: He belonged to the Ku Klux Klan! But it wasn't that Ku Klux Klan. It was back in 1919/1920 and there was and interfraternity group that called itself the Ku Klux Klan. To think that means something awful is to be historically ignorant, McWhorter explains:
The later 20th century Klan emerged gradually in the wake of the racist film “The Birth of a Nation” in 1915, and only became a national phenomenon starting in 1921. In Wisconsin in 1919, when March was inducted into his group, it was possible to have never heard of the Ku Klux Klan that was later so notorious.... 
Even Madison’s chancellor, Rebecca Blank, has written that March had “fought the persecution of Hollywood artists, many of them Jewish, in the 1950s by the House Un-American Activities Committee” and that March “took actions later in life to suggest (he) opposed discrimination.”...

So... it was 4 years after "The Birth of a Nation." And "it was possible to have never heard of the Ku Klux Klan"? But why was it called "the Ku Klux Klan"? McWhorter says there's "no evidence" that it's the same Ku Klux Klan. But the name is some evidence, and the lack of any other explanation of the name, and the fact that "The Birth of a Nation" had been out for 4 years is at least some evidence.

I agree with McWhorter that March shouldn't be tarred as a racist for something he did for a year as a young man and that might have been genuinely racist. But the question is whether his name should be used to name the campus theaters. We have a much more important theater-related alum — Lorraine Hansberry. I'd put her name on the theaters. Update the honoring.

Back to McWhorter:

This witch-burning mentality is something most of us less concur with than fear.... The students who got March’s name taken off those buildings made a mistake, as did the administrators who again caved to weakly justified demands, seemingly too scared of being called racists to take a deep breath and engage in reason. The University of Wisconsin must apologize to March and his survivors. His name should be restored to both of the theaters now denuded of his name, including the Madison building, which he in fact helped bring into being and funded the lighting equipment even before the building was named after him. This must happen in the name of what all involved in this mistake are committed to: social justice — which motivated March throughout his life.

ADDED: As someone who has taught the law school course called Evidence, I rankle at the phrase "no evidence." Evidence is anything that makes a fact of consequence either more likely to be true or less tlikely to be true. There is clearly some evidence that March affiliated himself with a racist group. It's fine to say there's not enough evidence to justify removing March's name from these buildings, especially when we also have evidence that March was an anti-racist. That's all you need to say. 

AND: This isn't a trial of March where his accusers must meet a burden of proof and the question is whether he ought to be convicted of racism. That ought to fail because he has a constitutional right to be a racist. We wouldn't even go to trial. But if it did, there wouldn't be enough evidence to convict him. But the important point here is that the question in issue is whether his name ought to be on campus buildings today. What should the burden of proof be and is it met? That's the way to analyze this controversy.



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