"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."
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"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

"Some of the times I have experienced awe: An hour of avalanches rumbling down the south face of Annapurna under a full moon. Fork lightning strobing across the empty deck of a cargo ship on Lake Victoria. An eagle hovering 20 feet above my shoulder in the Chilean tundra. These... transcendental moments... relied on serendipity... Some occasions, by contrast, when I didn’t feel awe: gorilla tracking in Uganda, seeing the Mona Lisa at the Louvre amid a jostling crowd of people taking photos of it with their mobile phones, every safari I’ve ever been on.... Space tourism belongs to this subset of ostensibly awesome experiences that often feel anticlimactic precisely because they come with a promise of awe factored in... The sense of surprise that is arguably the most vital precondition for experiencing awe will have been watered down by the months of forethought and demystification.... It’s the difference between joining a 20-strong organized tour to see the Northern Lights and, say, camping alone in some Scandinavian wilderness and being roused from your tent by the aurora’s spectral green ripples illuminating the canvas.... 'The best way to access this everyday awe is by allowing yourself to wander, to avoid following a schedule each moment of the day. We didn’t evolve to feel awe about hurtling through space.'"

From "Why Space Tourists Won’t Find the Awe They Seek" by Henry Wismayer (NYT).

When have you experienced the sublime? Was it planned? Was it in a group? Did you pay for it? If it was planned, paid for, and in a group, did you really feel it, or did you fake it? What if other people murmuring about the sublimity they paid for punctured your sublimity? What if it left you cold, what if it felt like nothing? But you paid $450,000!

From "Why Space Tourists Won’t Find the Awe They Seek" by Henry Wismayer (NYT).

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"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

Thus articles "In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

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"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

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"In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

Thus articles "In many years of working as a travel writer — which I’ve often thought of as working the awe beat — I’ve come to understand that awe cannot be easily choreographed."

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