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"[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel..."

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"[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel..."
link : "[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel..."

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"[T]he movie version of 'Breakfast at Tiffany’s,' while certainly beloved, isn’t nearly as interesting to any Capote fan as the novel..."

"... in which the author’s voice comes through (and where the character was imagined as more of an 'unfinished' type, à la Marilyn Monroe, whom he wanted for the role). Capote was disappointed by the casting of Audrey Hepburn; ergo, clips from the movie actually misrepresent his vision."

From "'Truman & Tennessee: An Intimate Conversation' Review: An Imagined Tête-à-Tête Between Capote and Williams/Director Lisa Immordino Vreeland uses the friendship between two icons as a leaping-off point for an affectionate if somewhat forced dual portrait" (Variety).

I watched 2/3 of that documentary last night and stopped only because of streaming problems (which I attribute to my internet service, AT&T, not to the streaming service, Criterion Channel).

 

In that trailer, Capote, at 1:12, says "Here is a man who has devoted his whole life to art and is a genius" and then, at 1:28, "Most people think because somebody is a creative individual, they must be intelligent. It is not so. Like Tennessee Williams."

"... in which the author’s voice comes through (and where the character was imagined as more of an 'unfinished' type, à la Marilyn Monroe, whom he wanted for the role). Capote was disappointed by the casting of Audrey Hepburn; ergo, clips from the movie actually misrepresent his vision."

From "'Truman & Tennessee: An Intimate Conversation' Review: An Imagined Tête-à-Tête Between Capote and Williams/Director Lisa Immordino Vreeland uses the friendship between two icons as a leaping-off point for an affectionate if somewhat forced dual portrait" (Variety).

I

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watched 2/3 of that documentary last night and stopped only because of streaming problems (which I attribute to my internet service, AT&T, not to the streaming service, Criterion Channel).

 

In that trailer, Capote, at 1:12, says "Here is a man who has devoted his whole life to art and is a genius" and then, at 1:28, "Most people think because somebody is a creative individual, they must be intelligent. It is not so. Like Tennessee Williams."



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