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"You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..."
link : "You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..."

"You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..."

"... we keep to a type of our own, which we find much more suitable than modern-day frivolity. We don’t appreciate spindliness, true; we prefer that a woman stand not on long legs, but on sturdy ones, so that she doesn’t get tangled up, but rolls about everywhere like a ball and makes it, where a spindly-legged one will run and trip. We also don’t appreciate snaky thinness, but require that a woman be on the stout side, ample, because, though it’s not so elegant, it points to maternity in them. The brow of our real, pure Russian woman’s breed is more plump, more meaty, but then in that soft brow there’s more gaiety, more welcome. The same for the nose: ours have noses that aren’t hooked, but more like little pips, but this little pip itself, like it or not, is much more affable in family life than a dry, proud nose. But the eyebrows especially, the eyebrows open up the look of the face, and therefore it’s necessary that a woman’s eyebrows not scowl, but be opened out, archlike, for a man finds it more inviting to talk with such a woman, and she makes a different, more welcoming impression on everybody coming to the house. But modern taste, naturally, has abandoned this good type and approves of airy ephemerality in the female sex, only that’s completely useless.”

From "The Sealed Angel," an 1873 story by Nikolai Leskov, collected in "The Enchanted Wanderer." That's a character speaking, not the author's attitude.

That passage amused me, as I was listening to the audiobook and hiking in the mud in the Arb today. The story isn't much about women though, but about the Old Believers and their icons. Yesterday, I read the first story in the collection, "The Lady Macbeth of Mtsensk."

My reading these stories has nothing to do with the woes unleashed by Russia in the world today. It is a consequence of reading Larry McMurtry's book "Walter Benjamin at the Dairy Queen: Reflections on Sixty and Beyond" (which I mentioned a few days ago, here). That book begins: 

IN THE summer of 1980, in the Archer City Dairy Queen, while nursing a lime Dr Pepper (a delicacy strictly local, unheard of even in the next Dairy Queen down the road—Olney’s, eighteen miles south—but easily obtainable by anyone willing to buy a lime and a Dr Pepper), I opened a book called Illuminations and read Walter Benjamin’s essay “The Storyteller,” nominally a study of or reflection on the stories of Nikolay Leskov, but really (I came to feel, after several rereadings) an examination, and a profound one, of the growing obsolescence of what might be called practical memory and the consequent diminution of the power of oral narrative in our twentieth–century lives.

"... we keep to a type of our own, which we find much more suitable than modern-day frivolity. We don’t appreciate spindliness, true; we prefer that a woman stand not on long legs, but on sturdy ones, so that she doesn’t get tangled up, but rolls about everywhere like a ball and makes it, where a spindly-legged one will run and trip. We also don’t appreciate snaky thinness, but require that a woman be on the stout side, ample, because, though it’s not so elegant, it points to maternity in them. The brow of our real, pure Russian woman’s breed is more plump, more meaty, but then in that soft brow there’s more gaiety, more welcome. The same for the nose: ours have noses that aren’t hooked, but more like little pips, but this little pip itself, like it or not, is much more affable in family life than a dry, proud nose. But the eyebrows especially, the eyebrows open up the look of the face, and therefore it’s necessary that a woman’s eyebrows not scowl, but be opened out, archlike, for a man finds it more inviting to talk with such a woman, and she makes a different, more welcoming impression on everybody coming to the house. But modern taste, naturally, has abandoned this good type and approves of airy ephemerality in the female sex, only that’s completely useless.”

From "The Sealed Angel," an 1873 story by Nikolai Leskov, collected in "The Enchanted Wanderer." That's a character speaking, not the author's attitude.

That passage amused me, as I was listening to the audiobook and hiking in the mud in the Arb today. The story isn't much about women though, but about the Old Believers and their icons. Yesterday, I read the first story in the collection, "The Lady Macbeth of Mtsensk."

My reading these stories has nothing to do with the woes unleashed by Russia in the world today. It is a consequence of reading Larry

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McMurtry's book "Walter Benjamin at the Dairy Queen: Reflections on Sixty and Beyond" (which I mentioned a few days ago, here). That book begins: 

IN THE summer of 1980, in the Archer City Dairy Queen, while nursing a lime Dr Pepper (a delicacy strictly local, unheard of even in the next Dairy Queen down the road—Olney’s, eighteen miles south—but easily obtainable by anyone willing to buy a lime and a Dr Pepper), I opened a book called Illuminations and read Walter Benjamin’s essay “The Storyteller,” nominally a study of or reflection on the stories of Nikolay Leskov, but really (I came to feel, after several rereadings) an examination, and a profound one, of the growing obsolescence of what might be called practical memory and the consequent diminution of the power of oral narrative in our twentieth–century lives.

Thus articles "You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..."

that is all articles "You don’t like that kind of beauty?"/"Good grief, what’s likeable in such snakiness?... In our true Russian understanding concerning a woman’s build..." This time, hopefully can provide benefits to all of you. Okay, see you in another article posting.

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