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"Albert Hackett and Frances Goodrich... took an adolescent girl’s diary and raped it into The Diary of Anne Frank, a sitcom...."

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"Albert Hackett and Frances Goodrich... took an adolescent girl’s diary and raped it into The Diary of Anne Frank, a sitcom...." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Albert Hackett and Frances Goodrich... took an adolescent girl’s diary and raped it into The Diary of Anne Frank, a sitcom....", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Albert Hackett and Frances Goodrich... took an adolescent girl’s diary and raped it into The Diary of Anne Frank, a sitcom...."
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"Albert Hackett and Frances Goodrich... took an adolescent girl’s diary and raped it into The Diary of Anne Frank, a sitcom...."

"The Frank family, you will recall, have been hiding from the Nazis and squabbling about 'whose turn it is to feed the cat.' At the end, the Nazis show up to take them all to their (offstage) deaths. The Hacketts’ play ends with Anne’s line: 'I believe people are still good at heart.' I’d always considered this merely loathsome twaddle.... For whether or not the line was scribbled by Anne Frank, the Hacketts adopted it as the punch line for their play, that is, that by which they wished their vision to be remembered. But the line brings to mind that of Joseph Goebbels. Addressing the Gestapo, he said, 'History will note that we did these things while still preserving our essential humanity.' The Hacketts’ line, similarly, can be understood as 'These monsters are basically good at heart, despite what they have done to the Jews.'"

Writes David Mamet, in "Recessional: The Death of Free Speech and the Cost of a Free Lunch."

I don't think Mamet means to question whether those words appear in the diary (as it was published), just the placement of those words at the conclusion of the play. Here's the full text of the diary, and here's the context of the line that the Hacketts chose to put at the end of their play: 

Anyone who claims that the older folks have a more difficult time in the Annex doesn't realize that the problems have a far greater impact on us. We're much too young to deal with these problems, but they keep thrusting themselves on us until, finally, we're forced to think up a solution, though most of the time our solutions crumble when faced with the facts. It's difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It's a wonder I haven't abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart.

It's utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more. In the meantime, I must hold on to my ideals. Perhaps the day will come when I'll be able to realize them!

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"The Frank family, you will recall, have been hiding from the Nazis and squabbling about 'whose turn it is to feed the cat.' At the end, the Nazis show up to take them all to their (offstage) deaths. The Hacketts’ play ends with Anne’s line: 'I believe people are still good at heart.' I’d always considered this merely loathsome twaddle.... For whether or not the line was scribbled by Anne Frank, the Hacketts adopted it as the punch line for their play, that is, that by which they wished their vision to be remembered. But the line brings to mind that of Joseph Goebbels. Addressing the Gestapo, he said, 'History will note that we did these things while still preserving our essential humanity.' The Hacketts’ line, similarly, can be understood as 'These monsters are basically good at heart, despite what they have done to the Jews.'"

Writes David Mamet, in "Recessional: The Death of Free Speech and the Cost of a Free Lunch."

I don't think Mamet means to question whether those words appear in the diary (as it was published), just the placement of those words at the conclusion of the play. Here's the full text of the diary, and here's the context of the line that the Hacketts chose to put at the end of their play: 

Anyone who claims that the older folks have a more difficult time in the Annex doesn't realize that the problems have a far greater impact on us. We're much too young to deal with these problems, but they keep thrusting themselves on us until, finally, we're forced to think up a solution, though most of the time our solutions crumble when faced with the facts. It's difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It's a wonder I haven't abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart.

It's utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more. In the meantime, I must hold on to my ideals. Perhaps the day will come when I'll be able to realize them!



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