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"Searching for Rosebud, Auletta alights, for lack of better explanations, on the Weinstein brothers’ flame-haired and apparently flame-tempered mother, Miriam..."

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"Searching for Rosebud, Auletta alights, for lack of better explanations, on the Weinstein brothers’ flame-haired and apparently flame-tempered mother, Miriam..." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Searching for Rosebud, Auletta alights, for lack of better explanations, on the Weinstein brothers’ flame-haired and apparently flame-tempered mother, Miriam...", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Searching for Rosebud, Auletta alights, for lack of better explanations, on the Weinstein brothers’ flame-haired and apparently flame-tempered mother, Miriam..."
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"Searching for Rosebud, Auletta alights, for lack of better explanations, on the Weinstein brothers’ flame-haired and apparently flame-tempered mother, Miriam..."

"... (for whom their company was named, along with their milder father, Max, a diamond cutter who died of a heart attack at 52). A childhood friend told Auletta that Harvey referred to Miriam as 'Momma Portnoy,' after the shrill character in Philip Roth’s 'Portnoy’s Complaint.' [Harvey's brother] Bob, who somehow avoided growing into a 'beast,' as Harvey is repeatedly described here, allows for the possibility of Miriam’s frustration at her life’s limitations. 'She could have been Sheryl Sandberg or one of these C.E.O.s of a company. She had that kind of smarts,' he told Auletta. Instead, she proudly brought rugelach to her sons’ headquarters, and had an epitaph worthy of Dorothy Parker: 'I don’t like the atmosphere or the crowd.'"

From "‘Hollywood Ending,’ a Cradle-to-Jail Biography of Harvey Weinstein/Ken Auletta looks for Weinstein’s Rosebud in this dispiriting account of the former movie mogul’s life" by Alexandra Jacobs (NYT)(reviewing "HOLLYWOOD ENDING/Harvey Weinstein and the Culture of Silence" by Ken Auletta).

Maybe there's more in the book, but that's a pathetic explanation. I mean, it's such a cliché to blame Mother. If you're going to fall back on that, you need better material. It reminds me of this recent New Yorker cartoon — an adolescent girl says to her mother: "Nature, nurture—either way, it’s still all your fault."

It's always all Mother's fault. But, anyway, was that really her epitaph? "I don’t like the atmosphere or the crowd." She did have an obituary in the NYT, I see, back in 2016, before Harvey's reputation went to hell.
Ms. Weinstein was a part of her sons’ business from the beginning. After Miramax was founded in 1979, originally just to distribute independent films, she was the receptionist at the company’s first headquarters, at Madison Avenue and 48th Street, and often brought pastries to the office....

In 2013, when a joint coproduction and codistribution venture was announced between Miramax’s new owners and the Weinstein Company, she issued a statement that began: “Over the years, Bob and Harvey have never let me talk, although I would have done better than them. After all, I am a Jewish mother.”

By that account, it was the sons who held her back! Or was she pushing them forward? I certainly don't care enough to read Ken Auletta's 466-page tome.

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"... (for whom their company was named, along with their milder father, Max, a diamond cutter who died of a heart attack at 52). A childhood friend told Auletta that Harvey referred to Miriam as 'Momma Portnoy,' after the shrill character in Philip Roth’s 'Portnoy’s Complaint.' [Harvey's brother] Bob, who somehow avoided growing into a 'beast,' as Harvey is repeatedly described here, allows for the possibility of Miriam’s frustration at her life’s limitations. 'She could have been Sheryl Sandberg or one of these C.E.O.s of a company. She had that kind of smarts,' he told Auletta. Instead, she proudly brought rugelach to her sons’ headquarters, and had an epitaph worthy of Dorothy Parker: 'I don’t like the atmosphere or the crowd.'"

From "‘Hollywood Ending,’ a Cradle-to-Jail Biography of Harvey Weinstein/Ken Auletta looks for Weinstein’s Rosebud in this dispiriting account of the former movie mogul’s life" by Alexandra Jacobs (NYT)(reviewing "HOLLYWOOD ENDING/Harvey Weinstein and the Culture of Silence" by Ken Auletta).

Maybe there's more in the book, but that's a pathetic explanation. I mean, it's such a cliché to blame Mother. If you're going to fall back on that, you need better material. It reminds me of this recent New Yorker cartoon — an adolescent girl says to her mother: "Nature, nurture—either way, it’s still all your fault."

It's always all Mother's fault. But, anyway, was that really her epitaph? "I don’t like the atmosphere or the crowd." She did have an obituary in the NYT, I see, back in 2016, before Harvey's reputation went to hell.
Ms. Weinstein was a part of her sons’ business from the beginning. After Miramax was founded in 1979, originally just to distribute independent films, she was the receptionist at the company’s first headquarters, at Madison Avenue and 48th Street, and often brought pastries to the office....

In 2013, when a joint coproduction and codistribution venture was announced between Miramax’s new owners and the Weinstein Company, she issued a statement that began: “Over the years, Bob and Harvey have never let me talk, although I would have done better than them. After all, I am a Jewish mother.”

By that account, it was the sons who held her back! Or was she pushing them forward? I certainly don't care enough to read Ken Auletta's 466-page tome.



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