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Title : "Our exaggerated reverence for the creative impulse derives from the romantics of the early 19th century... and filtered through from intellectual bohemia..."
link : "Our exaggerated reverence for the creative impulse derives from the romantics of the early 19th century... and filtered through from intellectual bohemia..."
"Our exaggerated reverence for the creative impulse derives from the romantics of the early 19th century... and filtered through from intellectual bohemia..."
"... to the upper middle classes.... Now, quite banal instances of human creativity are preposterously overvalued. Witness the often conceited superiority of those in only tangentially creative professions. Why should a newspaper columnist or an advertising copywriter feel himself to be more interesting than a banker or a cleaner? I have lawyer friends who complain of the rictus countenances and slipping eye-contact they get from artistic types at parties. But I know those parties. And I know my lawyers are the most interesting people in the room. ... [Some] argue that AI cannot be creative because it lacks internal understanding, is merely a 'king of pastiche'.... But this is close to what those original artists were doing too — the artist’s great struggle, the critic Harold Bloom argues, is confronting and overcoming the influence of predecessors. And does it even matter what’s going on internally now that human audiences fail to distinguish between a composition by a robot and one by Bach...?... AI should disillusion us of the spurious glamour of creativity. It will be good for those who have suffered the social condescension of 'creatives.'"Writes James Marriott in "AI spells trouble for creatives — about time too/Machines that can write and paint are a welcome rebuff to the prestige enjoyed by artistic types" (London Times).
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"... to the upper middle classes.... Now, quite banal instances of human creativity are preposterously overvalued. Witness the often conceited superiority of those in only tangentially creative professions. Why should a newspaper columnist or an advertising copywriter feel himself to be more interesting than a banker or a cleaner? I have lawyer friends who complain of the rictus countenances and slipping eye-contact they get from artistic types at parties. But I know those parties. And I know my lawyers are the most interesting people in the room. ... [Some] argue that AI cannot be creative because it lacks internal understanding, is merely a 'king of pastiche'.... But this is close to what those original artists were doing too — the artist’s great struggle, the critic Harold Bloom argues, is confronting and overcoming the influence of predecessors. And does it even matter what’s going on internally now that human audiences fail to distinguish between a composition by a robot and one by Bach...?... AI should disillusion us of the spurious glamour of creativity. It will be good for those who have suffered the social condescension of 'creatives.'"
Writes James Marriott in "AI spells trouble for creatives — about time too/Machines that can write and paint are a welcome rebuff to the prestige enjoyed by artistic types" (London Times).
Writes James Marriott in "AI spells trouble for creatives — about time too/Machines that can write and paint are a welcome rebuff to the prestige enjoyed by artistic types" (London Times).
Thus articles "Our exaggerated reverence for the creative impulse derives from the romantics of the early 19th century... and filtered through from intellectual bohemia..."
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