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Title : "Not long ago, it would have been embarrassing for adults to admit that they found avant-garde painting too difficult and preferred the comforts of story time."
link : "Not long ago, it would have been embarrassing for adults to admit that they found avant-garde painting too difficult and preferred the comforts of story time."
"Not long ago, it would have been embarrassing for adults to admit that they found avant-garde painting too difficult and preferred the comforts of story time."
"What Gadsby did was give the audience permission — moral permission — to turn their backs on what challenged them, and to ennoble a preference for comfort and kitsch."This is a review of a Brooklyn Museum art exhibition called "It’s Pablo-matic: Picasso According to Hannah Gadsby." Gadsby is a standup comedian who has lambasted Picasso for being a sexist. The show has a smattering of works by Picasso juxtaposed with various works by women that a presented as telling women's "stories," with inscriptions on the wall like "I want my story to be heard” and “entirely new stories”:
This elevation of “stories” over art (or at least comedy) was the principal thrust of “Nanette,” a Sydney stand-up routine which became an American viral success during the last presidency.... “Nanette” proposed a therapeutic purpose for culture, rejecting the “trauma” of telling jokes in favor of the three-act resolution of “stories.” It directly analogized Picasso to then-President Trump: “The greatest artist of the twentieth century. Let’s make art great again, guys.” It even averred that Picasso, and by extension all the old masters, suffered from “the mental illness of misogyny.”...
“My story has value,” Gadsby said in “Nanette”; and then, “I will not allow my story to be destroyed”; and then, “Stories hold our cure.” But Howardena Pindell, on view here, is much more than a storyteller; Cindy Sherman, on view here, is much more than a storyteller. They are artists who, like Picasso before them, put ideas and images into productive tension, with no reassurance of closure or comfort. The function of a public museum (or at least it should be) is to present to all of us these women’s full aesthetic achievements; there is also room for story hour, in the children’s wing.
I've been hearing the buzzword "stories" — and "storytelling" — since the 1980s. It has always irritated me. I liked hearing Farago's blunt statement of why it bothers him.
Have I ever talked about my irritation with this feminist concept of "storytelling"? Actually, yes. It was set off by Sarah Palin making fun of Katie Couric for saying she wanted to engage in more "multidimensional storytelling." Probably much more, but I'll stop here.
"What Gadsby did was give the audience permission — moral permission — to turn their backs on what challenged them, and to ennoble a preference for comfort and kitsch."
This is a review of a Brooklyn Museum art exhibition called "It’s Pablo-matic: Picasso According to Hannah Gadsby." Gadsby is a standup comedian who has lambasted Picasso for being a sexist. The show has a smattering of works by Picasso juxtaposed with various works by women that a presented as telling women's "stories," with inscriptions on the wall like "I want my story to be heard” and “entirely new stories”:
This elevation of “stories” over art (or at least comedy) was the principal thrust of “Nanette,” a Sydney stand-up routine which became an American viral success during the last presidency.... “Nanette” proposed a therapeutic purpose for culture, rejecting the “trauma” of telling jokes in favor of the three-act resolution of “stories.” It directly analogized Picasso to
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then-President Trump: “The greatest artist of the twentieth century. Let’s make art great again, guys.” It even averred that Picasso, and by extension all the old masters, suffered from “the mental illness of misogyny.”...
“My story has value,” Gadsby said in “Nanette”; and then, “I will not allow my story to be destroyed”; and then, “Stories hold our cure.” But Howardena Pindell, on view here, is much more than a storyteller; Cindy Sherman, on view here, is much more than a storyteller. They are artists who, like Picasso before them, put ideas and images into productive tension, with no reassurance of closure or comfort. The function of a public museum (or at least it should be) is to present to all of us these women’s full aesthetic achievements; there is also room for story hour, in the children’s wing.
I've been hearing the buzzword "stories" — and "storytelling" — since the 1980s. It has always irritated me. I liked hearing Farago's blunt statement of why it bothers him.
Have I ever talked about my irritation with this feminist concept of "storytelling"? Actually, yes. It was set off by Sarah Palin making fun of Katie Couric for saying she wanted to engage in more "multidimensional storytelling." Probably much more, but I'll stop here.
Thus articles "Not long ago, it would have been embarrassing for adults to admit that they found avant-garde painting too difficult and preferred the comforts of story time."
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