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"I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry."
link : "I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry."

"I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry."

"An array of playlists called Composer Essentials is adorned with dour, sickly portraits that, according to Apple, were 'commissioned from a diverse group of artists.' (I envisioned a studio of talented girls and boys at an orphanage in rural Romania.) Composer Essentials are greatest-hits assemblages of movements and arias—rush-hour classical radio without traffic and weather. This approach defeats the point of listening to, say, Gustav Mahler: if you have time only for the Adagietto of his Fifth Symphony or for the last seven minutes of his Eighth, you might as well skip him altogether. And who qualifies as essential? Apple Classical gestures toward an expanded canon, with Clara Schumann and Florence Price prominently featured. At the same time, it promotes white-male purveyors of soothing sub-minimalist noodling.... Music history is more than a procession of names and faces: it’s a multiplicitous stream of styles, forms, and techniques with an ever-shifting social and political context... I couldn’t decide whether a section titled Music by Mood was generated by humans or machines. Is it an arcane joke that Meredith Monk’s 'Early Morning Melody' appears on the Classical Late Night list? Why does Classical Dinner Party feature Branford Marsalis playing a saxophone arrangement of Mahler’s 'Ich bin der Welt abhanden gekommen' ('I Am Lost to the World')? I couldn’t argue, though, when I saw Classical Commute fleshed out with a movement from Adès’s 'Dante': 'The Thieves—devoured by reptiles.'"

Writes Alex Ross in "Apple Again Fails to Save Classical Music/As classical listeners shift to streaming, Apple’s bespoke app falls short of its smaller-scale competitors" (The New Yorker). Much more at the link.

"An array of playlists called Composer Essentials is adorned with dour, sickly portraits that, according to Apple, were 'commissioned from a diverse group of artists.' (I envisioned a studio of talented girls and boys at an orphanage in rural Romania.) Composer Essentials are greatest-hits assemblages of movements and arias—rush-hour classical radio without traffic and weather. This approach defeats the point of listening to, say, Gustav Mahler: if you have time only for the Adagietto of his Fifth Symphony or for the last seven minutes of his Eighth, you might as well skip him altogether. And who qualifies as essential? Apple Classical gestures toward an expanded canon, with Clara Schumann and Florence Price prominently featured. At the same time, it promotes white-male purveyors of soothing sub-minimalist noodling.... Music history is more than a procession of names and faces: it’s a multiplicitous stream of

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styles, forms, and techniques with an ever-shifting social and political context... I couldn’t decide whether a section titled Music by Mood was generated by humans or machines. Is it an arcane joke that Meredith Monk’s 'Early Morning Melody' appears on the Classical Late Night list? Why does Classical Dinner Party feature Branford Marsalis playing a saxophone arrangement of Mahler’s 'Ich bin der Welt abhanden gekommen' ('I Am Lost to the World')? I couldn’t argue, though, when I saw Classical Commute fleshed out with a movement from Adès’s 'Dante': 'The Thieves—devoured by reptiles.'"

Writes Alex Ross in "Apple Again Fails to Save Classical Music/As classical listeners shift to streaming, Apple’s bespoke app falls short of its smaller-scale competitors" (The New Yorker). Much more at the link.

Thus articles "I can’t put myself in the unisex Crocs of a young person exploring classical music for the first time, but Apple Classical strikes me as an oddly clumsy point of entry."

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