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Title : "They’ve sent a personal essayist to review an academic essayist’s work, so I can’t help but remark upon the moments..."
link : "They’ve sent a personal essayist to review an academic essayist’s work, so I can’t help but remark upon the moments..."
"They’ve sent a personal essayist to review an academic essayist’s work, so I can’t help but remark upon the moments..."
"... when Lepore makes an effort to weave in her personal stories and winds up sounding like a tourist over-pronouncing the word croissant. Traits of loved ones ('She had an opinion on any movie. She had a crush on John Cusack. She loved to run') add up to something less vivid than her portraits of Albert Camus, Kurt Gödel and even Roger Ailes. Her social and domestic asides read as factual accounts of that which is nonfactual: an inner life. I also read some of her analogies with splayed fingers, starting with the first line: 'One summer day, the sun’s rays as spiky as a coronavirus.'"Writes Sloane Crosley in "Jill Lepore Revisits American Myths With an Eye to the Present/'The Deadline' collects 46 essays on subjects ranging from Herman Melville and Jane Franklin to feminism and A.I." (NYT).
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"... when Lepore makes an effort to weave in her personal stories and winds up sounding like a tourist over-pronouncing the word croissant. Traits of loved ones ('She had an opinion on any movie. She had a crush on John Cusack. She loved to run') add up to something less vivid than her portraits of Albert Camus, Kurt Gödel and even Roger Ailes. Her social and domestic asides read as factual accounts of that which is nonfactual: an inner life. I also read some of her analogies with splayed fingers, starting with the first line: 'One summer day, the sun’s rays as spiky as a coronavirus.'"
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