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"Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof."

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"Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof."
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"Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof."

Said Jann Wenner, quoted in "Jann Wenner Defends His Legacy, and His Generation’s/The co-founder of Rolling Stone magazine on the legacy of boomers and why he chose only white men for his book on rock’s 'masters'" (NYT).

This is the interview that's been in the news — see "Jann Wenner’s Rock Hall Reign Lasted Years. It Ended in 20 Minutes. The day after the Rolling Stone co-founder made remarks widely criticized as racist and sexist in a Times interview, the Hall of Fame called an emergency vote and ousted him" — and that we've talked about already, but I'm calling attention to something I haven't seen discussed yet.

Here's the remark I've quoted in context. The interviewer, Ben Sisario, is in boldface. The rest is Wenner. I've put the above-quoted remark in red:

Rolling Stone had a history of producing certain kinds of stories that ended up being definitive. But there were a handful of stories that raised questions of integrity. The U.Va. campus rape story would be one of those. Even Hunter S. Thompson — I don’t know that anyone would hold him up as a beacon of factual accuracy, regardless of the literary merit of his stories. Was there anything endemic to Rolling Stone that caused you to put the pursuit of the juicy story ahead of concerns with accuracy?

One word answer: no.

Is it just one-offs?

The University of Virginia story was not a failure of intent, or an attempt to be loose with the facts. You get beyond the factual errors that sank that story, and it was really about the issue of rape and how it affects women on campus, their lack of rights. Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof. It wasn’t for recklessness. I mean, we made one of those errors — every publication in the country, including The Times, makes every 50 years at least. You get slammed for it. We took our beating. But it wasn’t indicative of how we operated. It wasn’t an error of being casual with the truth, or trying to stretch it, or mission creep, or anything like that.

Hunter, well, you know, sui generis. Hunter, in fact, was as accurate a reporter as I’ve ever had, but it’s just that his stories went beyond facts, into areas of the truth and spirituality and pharmacology that none of us are really able to judge on our own. My mission always, journalistically speaking, was the truth is the most important thing. As we all know now, if somebody really wants to hoax you, there’s very little you can do about it. Except have the kind of hypervigilance that would mean you could probably publish nothing.

So almost a decade later, there are no lessons that you drew from that experience? In your mind, it’s just wrong place, wrong time? That seems like sort of a glib response.

There are two main things in the story. One was the account of this gang rape given to us by this source, Jackie. That turned out to be a fabrication. Because we didn’t want to identify her, we didn’t demand to meet people to corroborate her story. Our mistake was to let her out of that demand, not wanting to put her through the trauma again. That was one story that ran through the long piece. The other story, having nothing to do with Jackie, was about the handling of rape on that campus by other people — handling rape in general across the country. It was a conscientious, serious attempt to do that issue, and that was like the third piece by that particular individual on sex crimes and one of our second or third pieces about campus rape. So then the hoax was discovered and we lived with the consequence of that. It was one of the most miserable professional experiences I’ve ever had. I don’t mean to be glib about it, but I don’t feel wholly to blame for this, or that it’s some terrible black mark. I think the lesson I learned is, yes, it does happen to everybody. The other thing is, of course, we could have been tighter. So, you know, there’s a series of circumstances. I can’t pull out the hara-kiri knife for that one.
Said Jann Wenner, quoted in "Jann Wenner Defends His Legacy, and His Generation’s/The co-founder of Rolling Stone magazine on the legacy of boomers and why he chose only white men for his book on rock’s 'masters'" (NYT).

This is the interview that's been in the news — see "Jann Wenner’s Rock Hall Reign Lasted Years. It Ended in 20 Minutes. The day after the Rolling Stone co-founder made remarks widely criticized as racist and sexist in a Times interview, the Hall of Fame called an emergency vote and ousted him" — and that we've talked about already, but I'm calling attention to something I haven't seen discussed yet.

Here's the remark I've quoted in context. The interviewer, Ben Sisario, is in boldface. The rest is Wenner. I've put the above-quoted remark in red:

Rolling Stone had a history of producing certain kinds of stories that ended up being definitive. But there were a handful of stories that raised questions of integrity. The U.Va. campus rape story would be one of those. Even Hunter S. Thompson — I don’t know that anyone would hold him up as a beacon of factual accuracy, regardless of the literary merit of his stories. Was there anything endemic to Rolling Stone that caused you to put the pursuit of the juicy story ahead of concerns with accuracy?

One word answer: no.

Is it just one-offs?

The University of Virginia story was not a failure of intent, or an attempt to be loose with the facts. You get beyond the factual errors that sank that story, and it was really about the issue of rape and how it affects women on campus, their lack of rights. Other than this one key fact that the rape described actually was a fabrication of this woman, the rest of the story was bulletproof. It wasn’t for recklessness. I mean, we made one of those errors — every publication in the country, including The Times, makes every 50 years
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at least. You get slammed for it. We took our beating. But it wasn’t indicative of how we operated. It wasn’t an error of being casual with the truth, or trying to stretch it, or mission creep, or anything like that.

Hunter, well, you know, sui generis. Hunter, in fact, was as accurate a reporter as I’ve ever had, but it’s just that his stories went beyond facts, into areas of the truth and spirituality and pharmacology that none of us are really able to judge on our own. My mission always, journalistically speaking, was the truth is the most important thing. As we all know now, if somebody really wants to hoax you, there’s very little you can do about it. Except have the kind of hypervigilance that would mean you could probably publish nothing.

So almost a decade later, there are no lessons that you drew from that experience? In your mind, it’s just wrong place, wrong time? That seems like sort of a glib response.

There are two main things in the story. One was the account of this gang rape given to us by this source, Jackie. That turned out to be a fabrication. Because we didn’t want to identify her, we didn’t demand to meet people to corroborate her story. Our mistake was to let her out of that demand, not wanting to put her through the trauma again. That was one story that ran through the long piece. The other story, having nothing to do with Jackie, was about the handling of rape on that campus by other people — handling rape in general across the country. It was a conscientious, serious attempt to do that issue, and that was like the third piece by that particular individual on sex crimes and one of our second or third pieces about campus rape. So then the hoax was discovered and we lived with the consequence of that. It was one of the most miserable professional experiences I’ve ever had. I don’t mean to be glib about it, but I don’t feel wholly to blame for this, or that it’s some terrible black mark. I think the lesson I learned is, yes, it does happen to everybody. The other thing is, of course, we could have been tighter. So, you know, there’s a series of circumstances. I can’t pull out the hara-kiri knife for that one.


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