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"It is incredible that anything as foolish would be made in this day and age." - Hallo friend WELCOME TO AMERICA, In the article you read this time with the title "It is incredible that anything as foolish would be made in this day and age.", we have prepared well for this article you read and download the information therein. hopefully fill posts Article AMERICA, Article CULTURAL, Article ECONOMIC, Article POLITICAL, Article SECURITY, Article SOCCER, Article SOCIAL, we write this you can understand. Well, happy reading.

Title : "It is incredible that anything as foolish would be made in this day and age."
link : "It is incredible that anything as foolish would be made in this day and age."

"It is incredible that anything as foolish would be made in this day and age."

"And the suggestions in advertisements and awesome press releases that there is something 'adult' about it, that is a little too strong for the kids, are sheer, unadulterated eyewash. It's as naughty as a cornsilk cigarette. There is ever so slight a suggestion that the prostitute, portrayed by Capucine, is admired by the madame of the bordello, played by Barbara Stanwyck. But that this is any more than the admiration of an employer for a highly productive employe is a thing that only the most susceptible to press-agentry might suspect...." 

Wrote Bosley Crowther, in 1962, reviewing the movie "Walk on the Wild Side."

I like the way Crowther, scoffing at the mildness of the suggestiveness, can only bring himself to mildly suggest that the Barbara Stanwyck character is sexually attracted to a woman. 

Why did I watch that movie? Because it's one of the movies the Criterion Channel has assembled under the heading "cat movies":

The only cat in the movie is in the opening and closing credits, which were done by Saul Bass:

Nice music! That's by Elmer Bernstein. Not really evocative of a New Orleans bordello, but who cares? The score was nominated for an Oscar, but Henry Mancini won for "The Days of Wine and Roses," which I bet you can hum along to.

Capucine was beautiful, in my opinion, but I see (at Wikipedia) that when Dirk Bogarde asked the director Luchino Visconti to cast her in "Death in Venice," Visconti said, "She has a horrible voice and too many teeth. She looks like a horse, a beautiful horse, I know that, I was a trainer. I know all about horses, but I don't want a horse."

They don't write scores like that anymore, and they don't insult women like that anymore.

This might be a "bad" movie, but it's great fun to watch. You get to see beautiful women swanning around in a dreamy whorehouse. It's supposed to be the 1930s, but Capucine is dressed in 1962 fashions. 

Jane Fonda is there too. The actress was 25, but she plays someone who's supposed to be underage. I think the cat in the credits is supposed to represent her, because the character's name is Kitty Twist.

This is the best part: Barbara Stanwyck denouncing men:

What does any man know about love?!!!

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"And the suggestions in advertisements and awesome press releases that there is something 'adult' about it, that is a little too strong for the kids, are sheer, unadulterated eyewash. It's as naughty as a cornsilk cigarette. There is ever so slight a suggestion that the prostitute, portrayed by Capucine, is admired by the madame of the bordello, played by Barbara Stanwyck. But that this is any more than the admiration of an employer for a highly productive employe is a thing that only the most susceptible to press-agentry might suspect...." 

Wrote Bosley Crowther, in 1962, reviewing the movie "Walk on the Wild Side."

I like the way Crowther, scoffing at the mildness of the suggestiveness, can only bring himself to mildly suggest that the Barbara Stanwyck character is sexually attracted to a woman. 

Why did I watch that movie? Because it's one of the movies the Criterion Channel has assembled under the heading "cat movies":

The only cat in the movie is in the opening and closing credits, which were done by Saul Bass:

Nice music! That's by Elmer Bernstein. Not really evocative of a New Orleans bordello, but who cares? The score was nominated for an Oscar, but Henry Mancini won for "The Days of Wine and Roses," which I bet you can hum along to.

Capucine was beautiful, in my opinion, but I see (at Wikipedia) that when Dirk Bogarde asked the director Luchino Visconti to cast her in "Death in Venice," Visconti said, "She has a horrible voice and too many teeth. She looks like a horse, a beautiful horse, I know that, I was a trainer. I know all about horses, but I don't want a horse."

They don't write scores like that anymore, and they don't insult women like that anymore.

This might be a "bad" movie, but it's great fun to watch. You get to see beautiful women swanning around in a dreamy whorehouse. It's supposed to be the 1930s, but Capucine is dressed in 1962 fashions. 

Jane Fonda is there too. The actress was 25, but she plays someone who's supposed to be underage. I think the cat in the credits is supposed to represent her, because the character's name is Kitty Twist.

This is the best part: Barbara Stanwyck denouncing men:

What does any man know about love?!!!

Thus articles "It is incredible that anything as foolish would be made in this day and age."

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